Details
The video was filmed at a sold-out gig at Manchester’s G-Mex centre in December 1990 in front of 10,000 people for the Come Home Live video released at the same time.
Canadian market version of the James single Sit Down.
Sit Down / Tonight / Sunday Morning / Sit Down (Live at G-Mex)
Release Name: | Sit Down |
Artist Name: | |
Release Date: | 18th March 1991 |
Format: | Studio Single |
Catalogue: | CD, 868 011-2 |
The Canadian market version of the single Sit Down release differed from the UK version as it had an extra track, Sunday Morning.
Find out about the main UK release:
The release of Sit Down was the breakthrough hit that James had been looking for. Famously kept from Number 1 in the UK Charts by one-hit-wonder Chesney Hawkes.
7″ JIM8 – Sit Down / Sit Down (Live at G-Mex)
CAS JIMMC 8 – Sit Down / Sit Down (Live at G-Mex)
12″ JIM 812 – Sit Down / Sit Down (Live at G-Mex) / Tonight
CD JIMCD8 – Sit Down / Sit Down (Live at G-Mex) / Tonight
Release Name: | Sit Down |
Artist Name: | |
Release Date: | 18th March 1991 |
Format: | Studio Single |
Catalogue: | 7" JIM8; 12" JIM 812; CD JIMCD8; CAS JIMMC 8 |
Despite having had three Top 40 singles and a hit album, James had not yet made the major breakthrough both they and Fontana had hoped for. They did however have a major ace up their sleeve – Sit Down. Despite only being a minor hit in 1989, it was the one song that unified the James audience, the communal sitting down at the December 1990 G-Mex show providing indisputable evidence of this.
Overcoming their initial reluctance to re-release it, the band went into the studio with one-time Pixies producer Gil Norton. Additional tracks on the single were the live version of the song from the aforementioned G-Mex show and Tonight, recorded in the same session that produced Lose Control.
Sit Down saw a massive media blitz. The video of the G-Mex show had been sent to the major TV and radio stations. James played on BBC1’s primetime Wogan show two weeks before the single’s release and on several children’s TV shows. The single was picked up by Radio 1 and A-listed weeks before release.
The video to the single wisely chose to take footage from the G-Mex show and gained James first significant daytime airplay on MTV.
The artwork for the single featured a blackened-out outline of Tim taken from the G-Mex concert with the background produced using computerised paint-box techniques.
The single stormed to number seven in the Top 40 in the first week of release surpassing the band’s wildest expectations. The inevitable Top of the Pops appearance ensued with Tim looking rather uncomfortable miming. At the end of the performance, Bruno Brookes described the single as “a potential number one”.
Sit Down rose to number 2 the following week where it was to remain for four weeks being held off by Chesney Hawkes “The One And Only”. Another Top of the Pops performance followed as well as an appearance on the Christmas Day review of the year. The single remained in the Top Ten for a further three weeks.
Following the single Gold Mother was rereleased with Sit Down and Lose Control replacing Hang On and Crescendo and a 30-date UK tour was announced for the autumn. It appeared that James time had finally arrived.
James: Sit down, 1991, Highest Chart positon: 2
James came out of the Eighties Madchester scene and first released Sit Down on the independent Rough Trade label in 1989. After adding a trumpet to their line-up and toughening up their sound on the road, they became festival favourites in the early Nineties, and crossed over into the mainstream with a string of jaunty hits, of which Sit Down was the biggest. “Those who find themselves ridiculous sit down next to me.”
One of the first Albanians to depart from the good ship Hoxha Bene Bene on to the Trieste quayside was student Mestma Trouziz. His first question to his Italian cousins was “Quixa Esproc Inglaterra Induj Musikas?” This translates loosely as “what is this indie music that I’ve been hearing so much of in Tirana?”
A local Manchester United supporter whipped out his Walkman and the strains of “Sit Down” greeted the refugees’ ears. “Ah! Duj! Duj!” exclaimed the lad, swaying in a fairly crap way. Enlightenment!
This is the definitive indie track – because although it’s resolutely bouncy, up beat, there’s no way any living being could possibly attempt to dance to it and look cool. If Paula Abdul were commissioned to choreograph it, the returned brief would read: “Bumble round a bit. No, better still lollop. Waft your arms around in a somewhat vague manner and imagine your hands have lost all feeling. Sit exams.”
Along with The Railway Children’s “Every Beat Of The Heart”, “Sit Down” is a merited re-issue of a song which any self-respecting music lover grows to like despite themselves. A minor classic.
Formed in 1983, James turbulent career finally came good in 1990. Their ‘Gold Mother’ LP went silver, their dates at Blackpool’s Empress Ballroom, Glastonbury, Maine Road (with Bowie), Crystal Palace (with The Cure) saw them build up a fanatically loyal live following, while James’s t-shirts became an essential fashion item for indie kids up and down the country. The band also had their first top forty hits with ‘How Was It For You?’ and ‘Come Home’.
Originally signed to Factory Records seven years ago, they released two cult hits, ‘What’s The World’ (later covered by The Smiths) and ‘Hymn From A Village’ plus the ‘Village Fire’ EP. Signing to Sire in 1985, the group put out two albums ‘Stutter’ and ‘Strip-Mine’ during an awkward three-year relationship with the label.
Leaving Sire, James pursued an independent path once more, releasing a live album ‘One Man Clapping’ through Rough Trade Records.
Following the departure of original drummer Gavin Whelan, the nucleus of James – vocalist / lyricist Tim Booth, bass player Jim Glennie and guitarist Larry Gott – injected a new harder edge to their sound with the addition of Dave Baynton-Power on drums.
Following two of the biggest indie hits of 89 – ‘Sit Down’ and ‘Come Home’, James had their freshly recorded ‘Gold Mother’ album released by Fontana.
Expanding to a seven-piece with man of many instruments Saul Davies, keyboard player Mark Hunter and Andy Diagram on trumpet, the new look James bounced into the charts with ‘How Was It For You?’ and ‘Come Home’.
The group ended the year with a new single ‘Lose Control’, two triumphant hometown Manchester shows and a short tour of Russia’s major cities.
Coming bang up to date, James release a re-recorded version of their live classic ‘Sit Down’ on 18 March 1991. Out on Fontana, the seven-inch version of ‘Sit Down’ is produced by Gil Norton and mixed by Dave Bascombe. The b-side is backed by a nine minute version of ‘Sit Down’ recorded live at Manchester G-Mex last December.
A full length live video, filmed at the December G-Mex gig is released on 15 April 1991, while an hour long TV version of the gig is to be transmitted by Granada on 27 March 1991.
The group are currently recording their new album which is set for Autumn release – a massive UK tour is being booked to coincide with the release.
Live A Love Of Life is track seven on the 1992 James album Seven.
It is one of several tracks with lyrics centring on Tim’s interest in religion at the time of the Gulf War, comparing God’s willingness to allow his own son to be crucified with leaders sending their young men out to war in the knowledge that some may not come back.
The song was adopted by a group of Franciscan monks, who, if the story is to believed, offered to come on stage to the song in full regalia. The band declined politely for fear of getting the monks into trouble and inciting problems with religious groups.
The band were banned from performing the song on Channel 4’s Jonathan Ross show because of the lyrical content.
Song: | Live A Love Of Life |
Released: | 17th February 1992 |
Main Associated Album (or Single): | Seven |
First Heard Live: | Paris La Locomotive – 15th February 1991 |
An unreleased song that was demoed for Seven, but never made it to a release
Song: | Get Ready For Love |
Released: | Unreleased |
First Heard: | Demoed for Seven |
On March 15, 1991 James performed a top secret gig at Paris La Locomotive where they showcased 10 tracks which had been demoed for what later became the Seven LP. Amongst the unique and very different renditions of the album tracks was Singer’s A Liar (known for years on a bootleg of the show as Somebody Help Me) which never made it further than the demo stage.
Song: | Singer's A Liar aka Somebody Help Me |
Released: | Unreleased |
First Heard: | Paris La Locomotive 15th March 1991 |
Born Of Frustration is the opening track on James’ 1992 album Seven. It was released as a single prior to the album release in January 1992.
First played at the Paris Locomotive secret gig in Feb 1991, Born of Frustration was the song that really got the critics backs up, fuelling comparisons with Simple Minds and stadium rock bands. The video was big-budget and set in the desert outside Los Angeles. Larry was replaced by tour manager Richard for the video shoot as he had been mugged on arrival in LA and took the next flight home.
Born of Frustration was the band’s first US release. It later appeared in a commercial for Western Hotels, the proceeds from which paid the massive tax bill that formed part of James’ infamous Black Thursday in 1995.
Song: | Born Of Frustration |
Released: | 20th January 1992 |
Main Associated Album (or Single): | Seven |
First Heard Live: | Paris La Locomotive – 15th February 1991 |
Pressure’s On is the second track on the 1994 James album Wah Wah.
It was debuted at the Paris Locomotive secret show in March 1991 and was demoed for the Seven LP, albeit in a slightly faster version than what finally made it onto the Wah Wah LP as one of the three non-improvised tracks three years later.
It was also played on the 1993 US WOMAD and UK tour, often as the opening track. It made a surprising reappearance at the opening night of the Whiplash tour but then disappeared until reappearing 25 years later on the 2019 Extraordinary Times tour.
Song: | Pressure's On |
Released: | 12th September 1994 |
Main Associated Album (or Single): | Wah Wah |
First Heard Live: | Paris La Locomotive – 15th February 1991 |
Protect Me is track ten on the 1992 James album Seven.
An acoustic version recorded for US radio station KROQ also appears on the 2001 reissue and a US promo Setlist EP. The song also appears on the Getting Away With It Live cd and dvd as well as both an acoustic and electric version on the Seven live dvd.
It was another track debuted at the Paris Locomotive show in March 1991 and was aired on British television in the summer of that year on Channel 4’s Friday Night at the Dome and Granada TV’s What’s New Music.
Song: | Protect Me |
Released: | 17th February 1992 |
Main Associated Album (or Single): | Seven |
First Heard Live: | Paris La Locomotive – 15th February 1991 |
Sound is track three on the 1992 James album Seven. It was the lead single from the album released in November 1991.
It was debuted, but almost unrecognisably, at the Paris Locomotive show in March 1991.
An edited version of the six minute plus album track reached number nine as the follow up to the massive success of Sit Down.
Sound is a regular song at James live shows, clocking in often at well over 12 minutes as the band improvise and the light show takes over.
Mark Hunter of the band remixed the song under the title Diceman Mix for the Born Of Frustration cd single.
A live version recorded at Warrington in 1991 appears on the 2001 reissue of the album as well as the Seven Live dvd. Another live version from Reading 1997 is included in the Destiny Calling cd single package. A further live version appears on the 2012 Getting Away With It Live cd and dvd.
An acoustic live version appeared on the Unhinged disc that formed part of the 2 disc version of the 1998 Best Of. Another acoustic version from the band’s 1992 London show appears on The Gathering Sound live disc and a further version from 1992 on the 2016 Greenpeace Palace Concert Record Store Day release.
Diceman Mix
Live At Warrington
Radio Edit
Song: | Sound |
Released: | 18th November 1991 |
Main Associated Album (or Single): | Seven |
First Heard Live: | Paris La Locomotive – 15th February 1991 |
Mother is track five on the 1992 James album Seven.
It is a song written at the time of the Gulf War – often called “the mother of all wars” by Tim and Saddam Hussein.
Song: | Mother |
Released: | 17th February 1992 |
Main Associated Album (or Single): | Seven |
First Heard Live: | Paris La Locomotive – 15th February 1991 |
Heavens is track nine on the 1992 James album Seven. A live version of the song from Warrington in December 1991 also appears on a US promo “Setlist” EP from 1992 and the 2001 reissue of the Seven album.
It was debuted at the Glasgow Barrowlands show in late 1990 and was performed live on Channel 4’s The Dome in June 1991. Heavens is another song detailing Tim’s fascination with the concept of suicide.
Song: | Heavens |
Released: | 17th February 1992 |
Main Associated Album (or Single): | Seven |
First Heard Live: | Glasgow Barrowlands – 4th December 1990 |