Tag Archives: 1990
Gold Mother News – NME
Gold Mother (white label)
Summary
White label promo for original album release
Track List
Come Home / Government Walls / God Only Knows / (You Can’t Tell) How Much Suffering (On A Face That’s Always Smiling) / Crescendo / How Was It For You? / Hang On / Walking The Ghost / Gold Mother / Top Of The World
Details
Release Name: | Gold Mother (white label) |
Artist Name: | |
Release Date: | 1st May 1990 |
Format: | Promo Album |
Catalogue: | n/a |
White label promo for original album release
- Come Home :1989
- Crescendo :1990
- God Only Knows :1990
- Gold Mother :1990
- Government Walls :1990
- Hang On :1990
- How Was It For You? :1990
- Top Of The World :1990
- Walking The Ghost :1990
- You Can’t Tell How Much Suffering (On A Face That’s Always Smiling) :1990
- Promo: Gold Mother
How Was It For You? CD promo
Summary
One-track radio promo CD
Track List
How Was It For You? (edit)
Details
Release Name: | How Was It For You? CD promo |
Artist Name: | |
Release Date: | 1st May 1990 |
Format: | Promo Single |
Catalogue: | JCDJ1 |
One-track radio promo CD
- How Was It For You? :1990
- Promo: How Was It For You?
How Was It For You?
Manchester Market St Our Price – 30th April 1990
In-store gig on the day of release of How Was It For You?
Setlist
tbd
Support
n/a
Review
n/a
How Was It For You?
Summary
How Was It For You? was the first single from James’ Gold Mother album. It charted at 32.
Track List
7″ JIM5 – How Was It For You? (single version) / Whoops (live)
CAS JIMC5 – How Was It For You? (single version) / Whoops (live)
12″ (red) JIM512 – How Was It For You? (album version) / Lazy / Hymn From A Village (live)
12″ (silver) JIMM512 – How Was It For You? (album version) / How Was It For You? (band mix) / Lazy / Undertaker
CD JIMCD5 How Was It For You? (single version) / Undertaker / Hymn From A Village (live)
Details
Release Name: | How Was It For You? |
Artist Name: | |
Release Date: | 30th April 1990 |
Format: | Studio Single |
Catalogue: | JIM5 / 875 418-7; CAS JIMC5; 12" (red) JIM512 / 875 419-1; 12" (silver) JIMM512 / 875 553-1; CD JIMCD5 |
After signing to Fontana, taking the Gold Mother album with them, How Was It For You? was identified as the first single. Tim Palmer was drafted in to mix the single and give it a more commercial edge.
Signing to a major label inevitably meant that James would have to play some of the corporate games they had avoided previously. The single appeared in five formats with new and live tracks split across them all meaning that the committed fan would have to buy four formats to get hold of all the tracks.
Whoops and Hymn From A Village had been recorded by Manchester’s Key 103 at the band’s triumphant hometown Apollo show from December 1989. Lazy and Undertaker were outtakes from the Gold Mother sessions which had been unveiled live in the spring of 1989 but which had both failed to make the final cut for the album.
The single’s video featured the band eating fruit suggestively and Tim singing underwater. This meant that the video was deemed unsuitable for children’s TV and Top of the Pops.
Artwork was kept simple, the James moniker complete with daisy on a plain background (different colours for different formats) appeared on all formats.
The release of the single was accompanied by a promotional blitz in the music press who were championing the band even more than ever before. TV and radio appearances including a Peel Session also helped to push the single.
There was relief all round when the single reached number 35 in its first week, peaking at number 32 the week after. The video problem meant that the single could not be featured on Top of the Pops denying it vital additional exposure that could have pushed it higher.
Press Release
James are one of the original wave of new Manchester bands, they appeared at the same time as The Smiths, and were accorded the ‘Morrissey’s favourite band’ label. Previously the band have released three albums, and built up a sizeable live following, enabling them to sell out large venues across the country.
Their first single for Fontana will be ‘How Was It For You?’ produced by the band and Nick Garside and mixed by Tim Palmer.
Each format of the single will feature a previously unavailable James track, and will be very much in demand from their very loyal fan base.
James play an extensive UK tour right through June and three shows in May, Cambridge, Brighton and the WOMAD Festival.
The band are guaranteed extensive music press coverage around the release of the single and are recording a John Peel session to transmit in May.
The band’s last single on Rough Trade was a Mark Goodier hit-lister on Radio One and they are no strangers to daytime radio.
Previously Unavailable Tracks:
- 7″ ‘Whoops’ (live) Recorded in Manchester
- 12″ ‘Hymn From A Village (live)’ Recorded in Manchester, ‘Lazy’ – New Track not on forthcoming LP
- CD ‘Hymn From A Village’ (live), ‘Undertaker’ – New Track not on forthcoming LP
RELEASE DATE: 30th APRIL, 1990
- JIM 5 How Was It For You? / Whoops (Live)
- JIM 512 How Was It For You? / Hymn From A Village (Live) / Lazy
- JIMCD 5 How Was It For You? / Hymn From A Village (Live) / Undertaker
James: How Was It For You Press Biography
Dated 9th April 1990
James release their first Fontana single – ‘How Was It For You?’ – on April 30th. The b-side of the 45 features ‘Whoops’ recorded live at Manchester Apollo at the end of last year, while the twelve inch contains two more live tracks – the legendary ‘Hymn From A Village’ and ‘How’ – plus ‘Lazy’. The CD line-up reads ‘How Was It For You?’, ‘Undertaker’ and ‘Hymn From A Village’. None of these extra tracks will be available on the group’s new LP, which is set for release at the beginning of June.
James began their recording career in 1983 with Factory Records, producing two acclaimed singles ‘What’s The World’ (later to be covered by The Smiths) and ‘Hymn From A Village’ plus the ‘Village Fire EP’.
Signing to Sire Records in 1985, the group put out two albums ‘Stutter’ and ‘Strip-mine’ during an awkward three year relationship with the label. Leaving Sire, James pursued an independent path, releasing a live album – ‘One Man Clapping’ – through Rough Trade in February 1989.
Following the departure of original drummer Gavan Whelan the nucleus of James – vocalist Tim Booth, bass player Jim Glennie and guitarist Larry Gott – toughened up their sound with the addition of Dave Baynton-Power on drums.
Enjoying two indie hits with ‘Sit Down’ and ‘Come Home’ and a sell-out tour, the group expanded their line-up to a seven piece with multi-instrumentalist Saul Davies, keyboard player Mark Hunter and Andy Diagram on trumpet, joining James ranks.
The group started 1990 taking several coaches from Manchester over to Paris to play the Hacienda’s Temperance Club night out.
James set off on their World Cup tour in June, which includes festival dates at WOMAD and Glastonbury. The group are still waiting to firm up details for a major Manchester summer show.
- How Was It For You? :1990
- Hymn From A Village :1985
- Lazy :1990
- Undertaker :1990
- Whoops :1989
- How Was It For You? 7″ A Side
- How Was It For You 7″ B Side
- How Was It For You? Red 12″ Front Cover
- How Was It For You? Red 12″ Back Cover
- How Was It For You? Red 12″ A Side
- How Was It For You? Red 12″ B Side
- How Was It For You Cassette
- How Was It For You CD sleeve
- How Was It For You CD
- Promo: How Was It For You?
- How Was It For You Record Mirror Review
- How Was It For You Press Release
- Advert: How Was It For You
April 1990
How Was It For You? single released.
How Was It For You?
How Was It For You? is the sixth song on the 1990 James album Gold Mother.
It was James’ first single for Mercury, their first attempt at multi-formatting and their first Top 40 single in May 1990. Across the different formats of the single, there was a 7″ edit, the album version and a “band mix”.
A live version from Manchester’s G-Mex (the Come Home Live show) features on a US promo-only 1992 “Setlist” EP and a further live version recorded at Shepherd’s Bush Empire in London in March 1997 appears as a b-side to the Waltzing Along single released in June that year. A demo version appears on the vinyl disc of The Gathering Sound Boxset released in 2012.
The video was banned from Top Of The Pops as it featured Tim singing underwater.
The track itself was mixed by Tim Palmer, David Bowie’s Tin Machine producer and was the only track off the original version of Gold Mother that hadn’t been extensively previewed before its release.
Details
Would be impossible
For you look better than the face of god on a sunny day
You look good enough to eat but I've had a bellyful
And now I have this bill I don't wanna pay
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
Do you really need that drink to disarm defences
Can you never face the flak when you're in control
Well I don't believe my luck I am defenceless
Do with me what you want but don't tell a soul
Don't tell my soul
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
Was it as good as it was for me
Well that's the best it's ever been
And you're the best I've ever seen
How was it for you
How was it for you
How was it for you my love
Was it good for you my dear
How was it for you my love
If you ain't out of your head can you ever enjoy yourself
But if you ain't in your head then who's at home?
I'm so possessed by sex I could destroy my health
We could be dancing over coals and we'd never know
We'd never know
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
Was it as good as it was for me
Well that's the best it's ever been
And you're the best I've ever seen
Yeah Yeah Yeah
Yeah Yeah Yeah
We lie awake and feeling warm
I need to feel your healing hands
We lie awake and rise at dawn
Only your fingers understand
Feeling warm
Can understand
The feeling calls
The healing hands
It's such a feeling, yeah
It's such a feeling, woah
It's such a feeling, yeah
It's such a feeling, woah
It's such a feeling
Song: | How Was It For You? |
Released: | 30th April 1990 |
Main Associated Album (or Single): | Gold Mother |
First Heard Live: | BBC Radio 1 John Peel – 10th April 1990 |
- How Was It For You? :Studio, Single, 1990
- How Was It For You? :Video, Single, 1990
- Gold Mother (white label) :Promo, Album, 1990
- How Was It For You? CD promo :Promo, Single, 1990
- Jouvenance – French promo :Promo, Album, 1990
- Gold Mother (Japan) :Studio, Album, 1990
- Gold Mother :Studio, Album, 1990
- Come Home Live :Live, VHS, 1991
- James (USA Promo) :Studio, Album, 1991
- James (USA, Canada) :Compilation, Album, 1991
- James (Japan) :Compilation, Album, 1991
- 7-Track James Live (US promo, 1992) :Promo, EP, 1992
- Take 7 Promo :Promo, EP, 1992
- Live And Acoustic :Promo, EP, 1993
- James BBC In Concert IC0713 (1997) :Promo, EP, 1997
- Waltzing Along :Studio, Single, 1997
- The Best Of James (promo) :Promo, Album, 1998
- Best Of Promo CD JIM BEST 01 :Compilation, Album, 1998
- The Best Of / Unhinged :Compilation, Album, 1998
- The Best Of (USA) :Studio, Album, 1998
- Gold Mother (reissue CDR) :Promo, Album, 2001
- Gold Mother (Simply Vinyl white label) :Promo, Album, 2002
- The Best of James (Canada) :Compilation, Album, 2006
- Fresh As A Daisy (Reference CD) :Promo, Album, 2007
- Fresh As A Daisy – The Videos :Studio, DVD, 2007
- Fresh As A Daisy – The Singles :Compilation, Album, 2007
- The Gathering Sound (full promo) :Promo, Box Set, 2012
- The Gathering Sound :Compilation, Box Set, 2012
- 1990 Singles & B-Sides :Compilation, Album, 2023
- Mares Vivas Festival, Vila Nova Da Gaia, Portugal – 15th July 2022
- Rhyl Events Arena – 8th July 2022
- Manchester Castlefield Bowl – 2nd July 2022
- Warrington Parr Hall – 29th June 2022
- Edinburgh Big Top Royal Highland Centre – 11th June 2022
- Bath Racecourse – 3rd June 2022
- Manchester Arena – 8th December 2018
- Glasgow Hydro – 5th December 2018
- Pretoria National Botanical Garden – 25th November 2018
- Cape Town Kirstenbosch Botanical Garden – 24th November 2018
- Dubai Irish Village – 22nd November 2018
- Perth Astor Theatre – 20th November 2018
- Adelaide Gov – 19th November 2018
- Brisbane Tivoli – 17th November 2018
- Sydney Metro Theatre – 16th November 2018
- Melbourne Forum – 14th November 2018
- Auckland Powerstation – 11th November 2018
- Scarborough Open Air Theatre – 18th August 2018
- Oban Corran Hall – 23rd May 2018
- Middlesbrough Town Hall – 22nd May 2018
- Halifax Victoria Theatre – 20th May 2018
- Blackburn King George’s Hall – 19th May 2018
- Warrington Parr Hall – 17th May 2018
- Llandudno Venue Cymru – 16th May 2018
- Manchester Albert Hall – 18th December 2017
- Liverpool Hope And Glory Festival – 5th August 2017
- Newmarket Nights – 4th August 2017
- Newcastle Times Square – 29th July 2017
- High Wycombe Pennfest – 22nd July 2017
- London Kew Gardens – 15th July 2017
- Manchester Castlefield Bowl – 7th July 2017
- Leicester O2 Academy – 5th July 2017
- Dublin Olympia – 23rd August 2013
- River Party, Nestorio, Kastoria, Greece – 1st August 2013
- Thetford Forest High Lodge – 13th June 2013
- Manchester Arena – 26th April 2013
- Birmingham Academy – 25th April 2013
- Leeds Academy – 23rd April 2013
- Bournemouth Academy – 22nd April 2013
- London Brixton Academy – 20th April 2013
- London Brixton Academy – 19th April 2013
- Bristol Colston Hall – 17th April 2013
- London Camden Proud Galleries – 7th December 2008
- Manchester MEN Arena – 28th April 2007
- Carlisle Sands Centre – 18th April 2007
- London Nambucca – 12th April 2007
- London Brixton Academy – 8th November 2000
- Nottingham Rock City – 7th November 2000
- Sheffield City Hall – 6th November 2000
- Norwich UEA – 4th November 2000
- Blackpool Empress Ballroom – 2nd November 2000
- Edinburgh Corn Exchange – 23rd October 2000
- Liverpool Royal Court – 22nd October 2000
- Brighton Centre – 4th December 1999
- Brighton Centre – 9th December 1998
- Newport Centre – 8th December 1998
- London Brixton Academy – 18th April 1998
- London Brixton Academy – 17th April 1998
- Doncaster Dome – 14th April 1998
- Glasgow Barrowlands – 13th April 1998
- Manchester Apollo – 11th April 1998
- Manchester Apollo – 28th March 1997
- London Shepherd’s Bush Empire – 20th March 1997
- Southampton Guild Hall – 18th March 1997
- Newport Centre – 16th March 1997
- Glasgow Barrowlands – 14th March 1997
- Middlesbrough Town Hall – 13th March 1997
- Atlanta Roxy – 1st March 1997
- New York Tramps – 28th February 1997
- Dallas Deep Ellum Live – 4th March 1994
- London Brixton Academy – 9th December 1993
- Glasgow Barrowlands – 1st December 1993
- Marseille Theatre du Moulin – 19th November 1993
- San Francisco WOMAD – 19th September 1993
- Morlaix Tamaris Festival – 18th July 1992
- Leysin Festival – 10th July 1992
- Alton Towers – 4th July 1992
- Roskilde Festival – 28th June 1992
- Stockholm Moderna Museet – 27th June 1992
- Glastonbury Festival – 26th June 1992
- Lisbon Coliseu dos Recreios – 8th May 1992
- Hamburg Grosse Freiheit 36 – 29th April 1992
- Berlin Quartier Latin – 28th April 1992
- Cologne Live Music Hall – 27th April 1992
- Paris Bataclan – 23rd April 1992
- Amsterdam Paradiso – 22nd April 1992
- Minneapolis First Avenue – 14th March 1992
- Chicago Cabaret Metro – 13th March 1992
- Toronto Opera House – 8th March 1992
- San Francisco Union Square – 15th February 1992
- Manchester Polytechnic – 8th February 1992
- Warrington Parr Hall (evening) – 20th December 1991
- Rennes Transmusicalles – 7th December 1991
- Glasgow Barrowlands – 6th November 1991
- Cambridge Corn Exchange – 29th October 1991
- London Brixton Academy – 25th October 1991
- London Brixton Academy – 24th October 1991
- Portsmouth Guildhall – 22nd October 1991
- Oxford Apollo – 20th October 1991
- Leicester De Montfort Hall – 9th October 1991
- Nottingham Royal Concert Hall – 8th October 1991
- Reading Festival – 24th August 1991
- Belfort Eurockeennes Festival – 23rd June 1991
- Lausanne Dolce Vita – 22nd June 1991
- Paris Le Zenith – 16th February 1991
- Paris La Locomotive – 15th February 1991
- Manchester Piccadilly Hotel Roof – 30th January 1991
- London Wembley Arena – 18th January 1991
- Manchester G-Mex – 8th December 1990
- London Brixton Academy – 6th December 1990
- Glasgow Barrowlands – 4th December 1990
- Dusseldorf Phillipshalle – 24th November 1990
- Paris La Cigale – 18th October 1990
- London Crystal Palace Bowl – 11th August 1990
- Blackpool Empress Ballroom – 4th August 1990
- Blackpool Empress Ballroom – 3rd August 1990
- Glastonbury Festival – 23rd June 1990
- London Kilburn National – 19th June 1990
- Norwich UEA – 17th June 1990
- Liverpool Royal Court – 15th June 1990
- Sheffield University – 14th June 1990
- Bristol Studio – 10th June 1990
- Exeter University – 9th June 1990
- Hull City Hall – 8th June 1990
- Lancaster University – 6th June 1990
- Glasgow Barrowlands – 5th June 1990
- St Andrew’s University – 4th June 1990
- Brighton The Event – 14th May 1990
- Cambridge Corn Exchange – 13th May 1990
- BBC Radio 1 John Peel – 10th April 1990
Taken from the album Gold Mother
Written and performed by James
Main Riff:
e-------------------------------------------------------
B----5----5----7--5-5-6---------------------------------
G--5---5----5--8--6-6-6---------------------------------
D-------------------------------------------------------
A-------------------------------------------------------
E-------------------------------------------------------
Chorus Riff Part 1:
e-------------------------------------------------------
B-----3----3-5--5-3-------------------------------------
G--5----5-----------5-5---------------------------------
D-------------------------------------------------------
A-------------------------------------------------------
E-------------------------------------------------------
Chorus Riff Part 2:
e-------------------------------------------------------
B-----3----3--------------------------------------------
G--5----5----4--5----4-5--------------------------------
D-----------------7-------------------------------------
A-------------------------------------------------------
E-------------------------------------------------------
Second Verse Riff:
e-------------------------------------------------------
B----3-3---3-5------------------------------------------
G--5-----5----------------------------------------------
D-------------------------------------------------------
A-------------------------------------------------------
E-------------------------------------------------------
Song Structure:
Guitars galore here as James go rock. And they show us how to rock with the Main Riff, which crops up throughout the intro and verses. Occasionally sandwiched in the middle of the Main Riff is what I've called the Second Verse Riff, which, as you might have gathered, also appears in the second verse. But it's got to be more complicated than that, that looks far too easy. Whatever you do though, that riff must be FAST.
During the chorus of "how was it for you"s Larry plays the Chorus Riff. Part 1 always starts it off and crops up somewhere else, I forget where. Part 2 is the main part that repeats over and over.
For the "it's such a feeling" parts, strum madly these chords: C and F.
Lyrics/Chords:
C G
Well they said you are as good as you look but that
F C
Would be impossible
G F C
For you look better than the face of god on a sunny day
G F C
You look good enough to eat but I've had a bellyful
G F C
And now I have this bill I don't wanna pay
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
Do you really need that drink to disarm defences
Can you never face the flak when you're in control
Well I don't believe my luck I am defenceless
Do with me what you want but don't tell a soul
Don't tell my soul
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
Was it as good as it was for me
Well that's the best it's ever been
And you're the best I've ever seen
How was it for you
How was it for you
How was it for you my love
Was it good for you my dear
How was it for you my love
If you ain't out of your head can you ever enjoy yourself
But if you ain't in your head then who's at home?
I'm so possessed by sex I could destroy my health
We could be dancing over coals and we'd never know
We'd never know
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
How was it for you
Was it as good as it was for me
Well that's the best it's ever been
And you're the best I've ever seen
Yeah Yeah Yeah
Yeah Yeah Yeah
We lie awake and feeling warm
I need to feel your healing hands
We lie awake and rise at dawn
Only your fingers understand
Feeling warm
Can understand
The feeling calls
The healing hands
It's such a feeling, yeah
It's such a feeling, woah
It's such a feeling, yeah
It's such a feeling, woah
It's such a feeling
Transcribed by Alex Carter 2001.
alex@shandy3000.fsnet.co.uk
Sunday Morning (cover)
Sunday Morning is a cover of The Velvet Underground song that was released as a b-side on the 1990 James single Lose Control and the 2001 B-Sides Ultra compilation.
It was originally recorded for the Imaginary Records compilation tribute album to the Velvet Underground “Heaven and Hell” released in September 1990 and it also appears on the Come Home live video and dvd.
Sunday Morning was chosen as the Velvets cover due to the fact the song would allow both violin and trumpet in James’ interpretation. Tim finishes the song with an inspired medley of lines from other famous Velvet Underground songs.
Details
Sunday Morning
It's just restless feelings in my side
Sunday Morning
Sunday Morning
It's just the wasted years so close behind
Watch out the world's behind you
Watch out someone's around you
Who will fall for nothing at all
Sunday Morning
I am falling
I've got a feeling I don't want to go down
Sunday Morning
Sunday Morning
It's all the streets you crossed not so long ago
Watch out the world's behind you
Watch out someone's around you
Who will fall for nothing at all
Watch out the world's behind you
Watch out someone's around you
Who will fall for nothing at all
Sunday Morning
Sunday Morning
Sunday Morning
Sunday Morning
Not another Sunday morning
Everyday is just like a Sunday morning
Everyday waiting for a happy Monday morning
Let's go for a walk from my Chelsea Hotel
Down the sidewalks to Greenwich Village
Past CBGBs
Max Kansas City
Let's go meet Sam Shepherd and Robert Mapplethorpe
A knife, a fork, bottle and a cork
That's the way to sell New York
A knife, a fork, bottle and a cork
That's the way to sell New York
A knife, a fork, bottle and a cork
That's the way to sell New York
A knife, a fork, bottle and a cork
That's the way, that's the way, that's the way
That's the way to develop charm
I'm waiting for my man
Waiting for my man
Black leather angel
But he don't work weekends
He don't work
Do you have anything for me
Do you know where I can score
Do you know where I can find a doctor at this late hour
Where I can score some sweet Jane
Some sweet Jane
You're my heroine
You're my sweet angel heroine
My sweet black angel of heroin
I've got pale blue eyes and pale blue skin
Song: | Sunday Morning (by The Velvet Underground) |
Released: | 1st October 1990 |
Main Associated Album (or Single): | Lose Control |
First Heard Live: | BBC Radio 1 John Peel – 10th April 1990 |
- Heaven And Hell :Compilation (non James), Album, 1990
- Lose Control CD promo :Promo, Single, 1990
- Lose Control :Studio, Single, 1990
- Sit Down (Canada) :Studio, Single, 1991
- Come Home Live :Live, VHS, 1991
- James (Japan) :Compilation, Album, 1991
- Born Of Frustration (US) :Studio, Single, 1992
- Born Of Frustration USA CD promo :Promo, Single, 1992
- B-Sides Ultra (CDR promo) :Promo, Album, 2001
- B-Sides Ultra :Compilation, Album, 2001
- B-Sides Ultra (Thailand) :Studio, Album, 2001
- The Gathering Sound (full promo) :Promo, Box Set, 2012
- The Gathering Sound :Compilation, Box Set, 2012
- 1990 Singles & B-Sides :Compilation, Album, 2023
- Thessaloniki Ivanofeio – 4th October 2011
- Funchal Live Music Festival – 21st August 2011
- Viseu Festo do Sao Mateos – 20th August 2011
- Stockholm Moderna Museet – 27th June 1992
- Lisbon Coliseu dos Recreios – 8th May 1992
- Milan City Square – 5th May 1992
- Amsterdam Paradiso – 22nd April 1992
- Warrington Parr Hall (afternoon) – 20th December 1991
- Glasgow Barrowlands – 6th November 1991
- Oxford Apollo – 20th October 1991
- London Camden Underworld – 14th August 1991
- Belfort Eurockeennes Festival – 23rd June 1991
- Lausanne Dolce Vita – 22nd June 1991
- Manchester G-Mex – 8th December 1990
- London Brixton Academy – 6th December 1990
- Glasgow Barrowlands – 4th December 1990
- Newcastle Mayfair – 3rd December 1990
- BBC Radio 1 John Peel – 10th April 1990
Taken from the single Lose Control
Written by Lou Reed, performed by James
Solo:
e-----------------------------------------------------------------------
B-----------------------------------------------------------------------
G----5-5h7p5---5--7-7/10-10/12107-----5-5h7p5---5--7-7/10-10/12107--
D--7---------7------------------------7---------7-----------------------
A-----------------------------------------------------------------------
E-----------------------------------------------------------------------
e-----------------------------------------------------------------------
B-----------------------------------------------------------------------
G----5-5h7p5---5--7-7/10-10/12107-----5-5h7p5---5--7-7/10-10/1210-10-
D--7---------7------------------------7---------7-----------------------
A-----------------------------------------------------------------------
E-----------------------------------------------------------------------
e-----------------------------------------------------------------------
B-----------------------------------------------------------------------
G--12/14-12h14-14-12/14-12/14-12/14p12-10-10/12-127/109---------------
D-----------------------------------------------------------------------
A-----------------------------------------------------------------------
E-----------------------------------------------------------------------
Song Structure:
During the song Larry plays arpeggios based on the chords, occasionally adding little excerpts in from the solo. The solo itself occurs about 1:50 in.
When Tim starts to improvise the chords F and Bb just repeat over and over, which you can hear Larry strumming.
On the Come Home Live version, Larry ends by playing the chords F C Bb as A derived bar chords going down the neck.
Lyrics/Chords:
F Bb
Sunday Morning
F Bb
Sunday Morning
F C Dm G C
It's just restless feelings in my side
F Bb
Sunday Morning
F Bb
Sunday Morning
F C Dm G C
It's just the wasted years so close behind
F Bb
Watch out the world's behind you
F Bb
Watch out someone's around you
Gm Eb C
Who will fall for nothing at all
Sunday Morning
I am falling
I've got a feeling I don't want to go down
Sunday Morning
Sunday Morning
It's all the streets you crossed not so long ago
Watch out the world's behind you
Watch out someone's around you
Who will fall for nothing at all
Watch out the world's behind you
Watch out someone's around you
Who will fall for nothing at all
Sunday Morning
Sunday Morning
Sunday Morning
Sunday Morning
Not another Sunday morning
Everyday is just like a Sunday morning
Everyday waiting for a happy Monday morning
Let's go for a walk from my Chelsea Hotel
Down the sidewalks to Greenwich Village
Past CBGBs
Max Kansas City
Let's go meet Sam Shepherd and Robert Mapplethorpe
A knife, a fork, bottle and a cork
That's the way to sell New York
A knife, a fork, bottle and a cork
That's the way to sell New York
A knife, a fork, bottle and a cork
That's the way to sell New York
A knife, a fork, bottle and a cork
That's the way, that's the way, that's the way
That's the way to develop charm
I'm waiting for my man
Waiting for my man
Black leather angel
But he don't work weekends
He don't work
Do you have anything for me
Do you know where I can score
Do you know where I can find a doctor at this late hour
Where I can score some sweet Jane
Some sweet Jane
You're my heroine
You're my sweet angel heroine
My sweet black angel of heroin
I've got pale blue eyes and pale blue skin
Transcribed by Alex Carter 2001.
alex@shandy3000.fsnet.co.uk
James: How Was It For You Press Biography
Official Press Band Biography – Dated 9th April 1990
James release their first Fontana single – ‘How Was It For You?’ – on April 30th. The b-side of the 45 features ‘Whoops’ recorded live at Manchester Apollo at the end of last year, while the twelve inch contains two more live tracks – the legendary ‘Hymn From A Village’ and ‘How’ – plus ‘Lazy’. The CD line-up reads ‘How Was It For You?’, ‘Undertaker’ and ‘Hymn From A Village’. None of these extra tracks will be available on the group’s new LP, which is set for release at the beginning of June.
James began their recording career in 1983 with Factory Records, producing two acclaimed singles ‘What’s The World’ (later to be covered by The Smiths) and ‘Hymn From A Village’ plus the ‘Village Fire EP’.
Signing to Sire Records in 1985, the group put out two albums ‘Stutter’ and ‘Strip-mine’ during an awkward three year relationship with the label. Leaving Sire, James pursued an independent path, releasing a live album – ‘One Man Clapping’ – through Rough Trade in February 1989.
Following the departure of original drummer Gavan Whelan the nucleus of James – vocalist Tim Booth, bass player Jim Glennie and guitarist Larry Gott – toughened up their sound with the addition of Dave Baynton-Power on drums.
Enjoying two indie hits with ‘Sit Down’ and ‘Come Home’ and a sell-out tour, the group expanded their line-up to a seven piece with multi-instrumentalist Saul Davies, keyboard player Mark Hunter and Andy Diagram on trumpet, joining James ranks.
The group started 1990 taking several coaches from Manchester over to Paris to play the Hacienda’s Temperance Club night out.
James set off on their World Cup tour in June, which includes festival dates at WOMAD and Glastonbury. The group are still waiting to firm up details for a major Manchester summer show.