Details
The video was banned from Top Of The Pops because of the scene where Tim is submerged below water.
How Was It For You? was the first single from James’ Gold Mother album. It charted at 32.
7″ JIM5 – How Was It For You? (single version) / Whoops (live)
CAS JIMC5 – How Was It For You? (single version) / Whoops (live)
12″ (red) JIM512 – How Was It For You? (album version) / Lazy / Hymn From A Village (live)
12″ (silver) JIMM512 – How Was It For You? (album version) / How Was It For You? (band mix) / Lazy / Undertaker
CD JIMCD5 How Was It For You? (single version) / Undertaker / Hymn From A Village (live)
Release Name: | How Was It For You? |
Artist Name: | |
Release Date: | 30th April 1990 |
Format: | Studio Single |
Catalogue: | JIM5 / 875 418-7; CAS JIMC5; 12" (red) JIM512 / 875 419-1; 12" (silver) JIMM512 / 875 553-1; CD JIMCD5 |
After signing to Fontana, taking the Gold Mother album with them, How Was It For You? was identified as the first single. Tim Palmer was drafted in to mix the single and give it a more commercial edge.
Signing to a major label inevitably meant that James would have to play some of the corporate games they had avoided previously. The single appeared in five formats with new and live tracks split across them all meaning that the committed fan would have to buy four formats to get hold of all the tracks.
Whoops and Hymn From A Village had been recorded by Manchester’s Key 103 at the band’s triumphant hometown Apollo show from December 1989. Lazy and Undertaker were outtakes from the Gold Mother sessions which had been unveiled live in the spring of 1989 but which had both failed to make the final cut for the album.
The single’s video featured the band eating fruit suggestively and Tim singing underwater. This meant that the video was deemed unsuitable for children’s TV and Top of the Pops.
Artwork was kept simple, the James moniker complete with daisy on a plain background (different colours for different formats) appeared on all formats.
The release of the single was accompanied by a promotional blitz in the music press who were championing the band even more than ever before. TV and radio appearances including a Peel Session also helped to push the single.
There was relief all round when the single reached number 35 in its first week, peaking at number 32 the week after. The video problem meant that the single could not be featured on Top of the Pops denying it vital additional exposure that could have pushed it higher.
James are one of the original wave of new Manchester bands, they appeared at the same time as The Smiths, and were accorded the ‘Morrissey’s favourite band’ label. Previously the band have released three albums, and built up a sizeable live following, enabling them to sell out large venues across the country.
Their first single for Fontana will be ‘How Was It For You?’ produced by the band and Nick Garside and mixed by Tim Palmer.
Each format of the single will feature a previously unavailable James track, and will be very much in demand from their very loyal fan base.
James play an extensive UK tour right through June and three shows in May, Cambridge, Brighton and the WOMAD Festival.
The band are guaranteed extensive music press coverage around the release of the single and are recording a John Peel session to transmit in May.
The band’s last single on Rough Trade was a Mark Goodier hit-lister on Radio One and they are no strangers to daytime radio.
Previously Unavailable Tracks:
RELEASE DATE: 30th APRIL, 1990
Dated 9th April 1990
James release their first Fontana single – ‘How Was It For You?’ – on April 30th. The b-side of the 45 features ‘Whoops’ recorded live at Manchester Apollo at the end of last year, while the twelve inch contains two more live tracks – the legendary ‘Hymn From A Village’ and ‘How’ – plus ‘Lazy’. The CD line-up reads ‘How Was It For You?’, ‘Undertaker’ and ‘Hymn From A Village’. None of these extra tracks will be available on the group’s new LP, which is set for release at the beginning of June.
James began their recording career in 1983 with Factory Records, producing two acclaimed singles ‘What’s The World’ (later to be covered by The Smiths) and ‘Hymn From A Village’ plus the ‘Village Fire EP’.
Signing to Sire Records in 1985, the group put out two albums ‘Stutter’ and ‘Strip-mine’ during an awkward three year relationship with the label. Leaving Sire, James pursued an independent path, releasing a live album – ‘One Man Clapping’ – through Rough Trade in February 1989.
Following the departure of original drummer Gavan Whelan the nucleus of James – vocalist Tim Booth, bass player Jim Glennie and guitarist Larry Gott – toughened up their sound with the addition of Dave Baynton-Power on drums.
Enjoying two indie hits with ‘Sit Down’ and ‘Come Home’ and a sell-out tour, the group expanded their line-up to a seven piece with multi-instrumentalist Saul Davies, keyboard player Mark Hunter and Andy Diagram on trumpet, joining James ranks.
The group started 1990 taking several coaches from Manchester over to Paris to play the Hacienda’s Temperance Club night out.
James set off on their World Cup tour in June, which includes festival dates at WOMAD and Glastonbury. The group are still waiting to firm up details for a major Manchester summer show.
Dreaming Up Tomorrow is a b-side of the 1990 James single the single Come Home (Flood Mix). It comes from a demo tape the band recorded after signing to Fontana in January 1990. It was performed live once at a Black Session in Paris in April 1990. It also appears on the B-Sides Ultra album.
Song: | Dreaming Up Tomorrow |
Released: | 25th June 1990 |
Main Associated Album (or Single): | Come Home (Flood Mix) |
First Heard Live: | Radio Europe Black Session – 24th April 1990 |
How Was It For You? is the sixth song on the 1990 James album Gold Mother.
It was James’ first single for Mercury, their first attempt at multi-formatting and their first Top 40 single in May 1990. Across the different formats of the single, there was a 7″ edit, the album version and a “band mix”.
A live version from Manchester’s G-Mex (the Come Home Live show) features on a US promo-only 1992 “Setlist” EP and a further live version recorded at Shepherd’s Bush Empire in London in March 1997 appears as a b-side to the Waltzing Along single released in June that year. A demo version appears on the vinyl disc of The Gathering Sound Boxset released in 2012.
The video was banned from Top Of The Pops as it featured Tim singing underwater.
The track itself was mixed by Tim Palmer, David Bowie’s Tin Machine producer and was the only track off the original version of Gold Mother that hadn’t been extensively previewed before its release.
Song: | How Was It For You? |
Released: | 30th April 1990 |
Main Associated Album (or Single): | Gold Mother |
First Heard Live: | BBC Radio 1 John Peel – 10th April 1990 |
Sunday Morning is a cover of The Velvet Underground song that was released as a b-side on the 1990 James single Lose Control and the 2001 B-Sides Ultra compilation.
It was originally recorded for the Imaginary Records compilation tribute album to the Velvet Underground “Heaven and Hell” released in September 1990 and it also appears on the Come Home live video and dvd.
Sunday Morning was chosen as the Velvets cover due to the fact the song would allow both violin and trumpet in James’ interpretation. Tim finishes the song with an inspired medley of lines from other famous Velvet Underground songs.
Song: | Sunday Morning (by The Velvet Underground) |
Released: | 1st October 1990 |
Main Associated Album (or Single): | Lose Control |
First Heard Live: | BBC Radio 1 John Peel – 10th April 1990 |
Flexi-disk cover-wrap for 1990 tour programme.
Weather Change
Release Name: | Weather Change |
Artist Name: | |
Release Date: | 22nd February 1990 |
Format: | Promo Single |
Catalogue: | tbd |
This flexi-disk was attached to the 1990 Gold Mother Tour Programme and included the single track Weather Change.
The Futurama 6 VHS was released in 1990 (Jettisoundz JE 200). It features three live tracks from the Futurama Festival in Bradford. Filmed 1st October 1989.
Sandman / Sit Down / What For
Release Name: | Futurama Six |
Artist Name: | |
Release Date: | 1st January 1990 |
Format: | Compilation (non James) VHS |
Catalogue: | JE 200 |
The Futurama 6 VHS was released in 1990 (Jettisoundz JE 200). It features three live tracks from the Futurama Festival in Bradford. Filmed 1st October 1989.
Played live in 1989 on the Come Home tour and in the 1990 Black Session, Violent Rain was an attack on ecological damage in line with Sky Is Falling.
The song was demoed for Gold Mother but never released.
Song: | Violent Rain |
Released: | Unreleased |
First Heard: | Manchester Apollo, 4th December 1989 |
The first release of James’ anthemic Come Home reached 84 in the UK Singles Chart.
7″ RT245 – Come Home (Short Version) / Promised Land
12″ RTT245 – Come Home (Long Version) / Promised Land / Slow Right Down (demo) / Come Home (Short Version)
CD RTT245CD – Come Home (Long Version) / Promised Land / Slow Right Down (demo) / Come Home (Short Version)
Release Name: | Come Home |
Artist Name: | |
Release Date: | 20th November 1989 |
Format: | Studio Single |
Catalogue: | 7" RT245; 12" RTT245; CD RTT245CD |
Come Home was initially intended as the first single off the Gold Mother album which the band had recorded for Rough Trade in the summer of 1989. It was dished out to club DJs as a white-label promo by Rough Trade without revealing James as the artist in order to combat the band’s reputation as wimpy, vegan, celibate Buddhists.
James biggest UK tour to date was announced to coincide with the release. With a “Powerplay” listing on Radio 1’s Simon Mayo show ensuring daytime airplay, a hit single looked like a safe bet, especially as the release coincided with the start of the Madchester explosion.
The single was backed by Promised Land, a song inspired by the then-Conservative Prime Minister Margaret Thatcher. The lyrics were a direct searing attack on government policy in the middle of the Poll Tax crisis. The other track was a demo version of Slow Right Down, a powerful up-tempo track that was wasted as a b-side.
Artwork for the single was once again provided by Central Station Design.
Marketing of the single was however a disaster. Pluggers were left without copies of the single, the accompanying video failed to capture the energy of the song and was rarely aired and crucially, many record shops were left without or with insufficient copies of the single.
The single entered the charts at number 84, but was denied the momentum that might have led to a second-week improvement by an error in the charts at Music Week which meant Come Home was not listed.
Furious with the situation, James went to see Geoff Travis, MD of Rough Trade, who told them they would only ever be a minority interest with an audience of 20-30,000. With more belief in their own potential, the band asked to be released from their contract and to be able to buy the album from Rough Trade. Travis agreed and soon after, the band signed to the Fontana arm of the Phonogram label.
“Harder, fresher and more bitter than most bands around. Should rank them up there with The Mondays”
White label promo sent to DJs without band name
Come Home (Short Version) / Slow Right Down (Demo Version) / Promised Land / Come Home (Long Version)
Release Name: | Come Home - Rough Trade white label promo |
Artist Name: | |
Release Date: | 1st November 1989 |
Format: | Promo Single |
Catalogue: | no catalogue number |
White label promo sent to DJs without band name
A compilation VHS by Beechwood Music.
Sit Down
Release Name: | Indie Top Video Take Two |
Artist Name: | |
Release Date: | 1st November 1989 |
Format: | Compilation (non James) VHS |
Catalogue: | MVP 9912003 (Beechwood Music) |
A compilation VHS by Beechwood Music.
Tracks included:
1. The Stone Roses – She Bangs The Drum
2. The Lightning Seeds – Pure
3. Inspiral Carpets – Joe
4. The Men They Couldn’t Hang – Rain, Steam And Speed
5. Wire – Eardrum Buzz
6. Kitchens Of Distinction – The Third Time We Opened The Capsule
7. The Man From Delmonte – My Love Is Like A Gift You Can’t Return
8. James – Sit Down
9. Bradford – In Liverpool
10. The Parachute Men – Leeds Station
11. The Fuzztones – Nine Months Later
12. Nick Cave & The Bad Seeds – The Mercy Seat
13. The Wolfgang Press – Raintime
14. The Sugarcubes – Regina