Setlist
Ya Ho / Fairground / Charlie Dance / Mosquito / Riders / Hymn From A Village / Really Hard / Just Hip / Hup-Springs / StutterSupport
(supporting) The WoodentopsMore Information & Reviews
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It was getting slippery onstage too, by the time James got there to dish out samples of their forthcoming album – destined to be another of the year’s best along with those from The Smiths and Woodentops. Apart from Tim’s raving, moving vocals and leg jerks, Jimmy’s pushy, bendy bass and Gavin’s busy and complicated drumming, there was this evening’s outstanding Jamesian element – Larry’s guitar playing. Whenever James play these days a new layer opens up, and this time it was through his fretwork exploration – segments of West African, bits of British folk, and techniques improvised out of nowhere.
James melodies and lyrics inhabit a kind of cultural subconscious, but the power of a Johnny Yen or a So Many Ways is no less real for having said that. Because of it, in fact, James go further to satisfying any hunger for newness – they’re verging on the poetic.
See attached press clipping.
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See attached press clippings.
Compilation of first two EPs that reached #1 in the UK Indie Charts.
What’s The World / Folklore / Fire So Close / If Things Were Perfect / Hymn From A Village
| Release Name: | Village Fire - Five Offerings From James EP |
| Artist Name: | James |
| Release Date: | 1st June 1985 |
| Format: | Compilation EP |
| Catalogue: | FAC-138 |
With James negotiating with major labels and demand for the two singles JIMONE and James II far outstripping initial production runs, Factory decided to combine the two into the Village Fire EP. The EP went straight to number one in the indie charts, serving only to fuel the bidding war that was going on to secure James services and giving the band even more favourable press.
Artwork for the EP came from John Carroll.
Laboured five track EP of more concept than content.
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James II is the second release by the band and their last on Factory Records.
7″ FAC 119 – If Things Were Perfect / Hymn From A Village
| Release Name: | James II EP |
| Artist Name: | James |
| Release Date: | 1st March 1985 |
| Format: | Studio EP |
| Catalogue: | 7" FAC 119 |
James II was delayed almost twelve months due to Tim’s serious liver illness which almost cost him his life and the band’s own stifling high standards.
Intended as a double A-side single, it was Hymn From A Village that caught the attention of the music press and major record labels. James II hit number one in the indie charts boosted by support slots on The Smiths Meat Is Murder tour. This was despite the band’s reluctance to do any form of visual promotion outside of live concerts, even a NME cover shot was turned down.
The artwork for the single came from John Carroll, who was to form a long association with the band lasting through to the singles off the Seven album.
The single did start the band to doubt Factory’s ability to support them at the level that they wanted. Whilst on tour with The Smiths, the band would go into local indie stores and try and buy their own singles, but were often told that they were out of stock and would take weeks to order as Factory couldn’t meet demand. With hopes of greater success, James decided that they had to leave Factory in order to progress.
All the bands coming through at the moment see to be of a certain mould. BEAUTY is the thing to be possessed of and if you haven’t got it, fake it and bugger the sound you’re making – that can be faked too. That’s why James are so refreshing. So non-visual it hurts and makes it excessively difficult to find one of those easy nouns we journalists like attaching to the front of groups’ names. You know ‘funksters’, ‘popsters’, ‘long macsters’. The comparisons with Joy Division are glaringly obvious but they have a less doomy, more open-hearted feel and (ouch) energy.
Offbeat folk rock debut with nicely wonky sensibilities, this is James in the shadow of that ‘Morrissey’s favourite band tag’ but holding their own anyway.
Morrissey allegedly loves this group. I find that hard to believe, mainly because the credulity beyond endurance to imagine Morrissey taking his eyes away from the mirror long enough to love anything or anybody else. An energetically cranked-up performance with guitar, bassist, drums and vocalist all seriously overacting, the song repeatedly advises the listener “why don’t you read a book, it’s so much more worthwhile?” I wish I was reading one right now.