Setlist
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Support
Puressence
Review
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That James is the most loved and respected band in Greece, was proved right last night in Apollon Basketball Arena in Patras.
It was just another sold out concert for James in Greece as usual, but the first time in Patras. Their great performance and the high attendance was kind of reassuring that they might visit this college town on their next tour and play on a bigger venue.
Abbie Gale, one of the most successful bands of the greek indie scene opened the show at 8.55 playing some new tracks from their forthcoming album and some tracks from their latest album 2, like Love song, Clown, Fall etc. The arena was full by the time they finished and about 200 people were standing outside without tickets.
At 10pm sharp the lights went out and Larry’s acoustic guitar sounded with the first notes of “Sit Down” ( though ‘Just like Fred Astaire’ was on the set list) and Tim Booth with Larry came out, not on stage but among the crowd playing the whole song on their way to the stage. People of Patras had never seen anything like this before and “Sit Down” was the perfect start, followed by “Senorita” (another Greek favorite) that made the 4.000 people go mad. “Ring The Bells” came just before “Dr. Hellier” and “Ten below” from the mini album “The night before”. “Upside” followed by “Come Home” and “Out To get You” and you could see the tears running from the eyes of most of the fans. I don’t need to describe what happened when they started playing “Say Something” with people singing along for almost 5 minutes after the song ended.
With ‘I know what I’m here for’, ‘Crazy’, ‘Tomorrow’ (the only song from Whiplash) and ‘Sound’, the main set was over.
But there was a special surprise for the people of Patras, a very special request.
“Dream Thrum” opened the Encore and you could see people stunned with the violin of Saul Davies. That’s why ‘Sometimes’ started as a slow song and then you could feel the earth move by the sing along of more that 4.000 Greek fans thirsty for James songs like “Laid”. A few fans from the crowd climbed on stage and danced along with Tim Booth and the rest of the Band.
But they couldn’t leave the stage without playing “Getting away with it” (not on the set list). I’m pretty sure that, from what you could hear from the small talk outside the stadium and the day after in Patras, this was the best show this town has ever seen and I think we will remember this concert for the rest of our lives.
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So after another blistering hot summer day with temperatures bordering on 100 degrees fahrenheit and 70%+ humidity, which made soundchecking a nightmare, James return to the stunning Earth Theatre for the second of three shows. As the previous night, the venue is sold out and the hillside seats are packed as the band take the stage around 9.30. As the previous night, they start with an acoustic version of Lose Control, with Tim, Larry and Andy starting at the top of the banking and making their way down through the crowd to the stage during the song. The crowd is evidently as fervent as the previous night and sing every word.
True to their word last night, the set does get quite a major workover. Waltzing Along gets the standing area dancing, Tim loses himself in his own dance over the instrumental sections, and if it could happen here, it’s warming up very quickly. Ring The Bells sees Andy take centre point on the extended front section of the stage. The sound is superb in the venue, crystal clear and just about the right level, so you can hear the subtleties without losing any of the power.
Tim introduces Hey Ma as a song about George Bush and Tony Blair which is met with a series of boos from the crowd. The song is met with mass arms held aloft and clapping as it builds to its climax. She’s A Star starts with Saul playing guitar with his violin bow.
Tim introduces Don’t Wait That Long as an ancient song. It’s beautiful, dreamy and lilting, with Larry’s guitar piercing through the heat as Tim dances next to him with Larry apparently oblivious to his presence. They hadn’t played this particularly well when they’d attempted it on previous post-07 tours, but tonight it was pretty perfect.
Having witnessed the response to Senorita last night, it’s less of a surprise just how the whole venue gets up on their feet, waving, singing as they play it. Born Of Frustration is epic from the opening yodel which the crowd do back to Tim, through the middle section where Tim comes down into the crowd as Larry and Andy take the song off in a different direction.
Stutter is next. Tim jokes that hardly anyone in the audience will know it. That’s probably true but the sheer power and chaos it creates sucks everyone in. It’s fast, frenetic, the lights spasm and jerk as the song builds. Saul comes to the front of the stage with a drum which he beats, Mark joins Dave on his drums and Andy takes on keyboard duties. By the end of the song, Larry has joined Saul at the front of the stage and Saul uses Larry’s guitar as a drum. Outstanding.
Out To Get You sees Saul take centre stage for the end of the song with the spotlight on him at the front as he plays like a man possessed. It’s a different take on the end than the normal huddle around Dave’s drumset and works beautifully with the sound allowing every note to be heard.
Dream Thrum, as Tim describes as not one of our pop songs, is next and has revised lyrics in the first verse but sounds, like it’s name, dreamy. Upside does fail to quite get the euphoric response it has on UK shows in the past year and a half, although it’s played beautifully, with a pause before the crash into the final chorus and the outro.
The whole place erupts for Getting Away With It. Everyone on the banking is on their feet, hands in the air, singing along, almost drowning out the band. It’s astonishing to see the song get this reaction, but the Greeks have taken it to their heart more so than even some of the better known hits.
Sometimes and Laid finish off the set. The crowd join in at the end of Sometimes without prompting from the band, but the singing isn’t as long and vocal as the previous night, so the band come back in and finish the song off, before Saul kicks into Laid, which is wilder and longer than it’s been for a long time, particularly with Andy playing trumpet over the top.
Coming back on for the encore, Tim asks the crowd what they want to hear. I’m surprised he can hear anything above the melee but they play a laid back languid version of Sit Down, before hammering a vicious version of Tomorrow. Say Something, which couldn’t be left out after the previous night’s singing from the crowd, sees the last of the planned encore, but as the band take their bows, it’s clear noone wants to leave, so they decide to play another.
Saul and Tim ask for dancers as they kick into Gold Mother and 10-15 people are pulled out of the front rows to dance on the stage. Saul urges them to dance as the song builds and builds to its climax. It’s a great way to end the set and the applause and cheers from the crowd at the end confirm that it had been another special set in a stunning location with a crowd that’s fully up for it.
The Earth Theatre is, despite the location on the outskirts of the city with no signposts for the English traveller, pretty much a perfect place for a James gig. It holds around 5,000 in an amphitheatre carved out of the hillside. Stage right is a large vertical cliff, on the other sides large sloping banks with seats, which explained the bizarre concept of people selling sheets of polystyrene outside the venue with a standing area in the middle.
The support band were pretty dreadful. They were a local band and their own songs didn’t sound too bad but they insisted on absolutely murdering Fleetwood Mac’s Big Love and Bjork’s Violently Happy.
The band, minus Tim and Andy, come onto stage and there’s silence until Andy blasts out the intro to Lose Control on his trumpet. The crowd turned round to see them on the steps of the banked seating, although initially there’s some confusion as they can’t work out the route to take down to the stage. It works itself out though and the song is performed by just Tim, Larry and Andy which is an interesting and different take on prior versions. The crowd sing along to every word.
Oh My Heart is next and it’s good to see the crowd are generally familiar with Hey Ma. Greece has taken James to their heart quite late – Pleased To Meet You, Getting Away With It (Live) and Hey Ma were all big hits here, probably chart-wise far more so than in the UK.
Ring The Bells has the crowd jumping up and down and generally going wild. Tim comes to the front of the stage and starts dancing, whilst Andy’s trumpet takes the song off in a different direction. Whiteboy is played pretty straight but it is a great pop song nevertheless.
Tim introduces English Beefcake as a song that they’d learnt especially for Greece as they were the only ones that seemed to understand it. It’s a wonderful version too, improvised lyrics in parts and some superb guitar from Larry. One of the highlights of the set. And it links into a stunning version of Bubbles. The poignancy of the song seems to grow in the beautiful setting.
Senorita gets a massive reception. It hardly ever got played in the UK, in 2001 or later, but the fans here love it. It’s a great song and should have been a single, had Mercury bothered to promote the album at all. Born Of Frustration is huge too. The sound of the trumpet piercing through the warm night air. Tim comes down onto the barrier in a number of places to make a connection with the crowd.
For Gold Mother, he invites four fans up on to the stage on the condition they are good dancers. They are a bit more subdued than the UK stage dancers which isn’t necessarily a bad thing. The song elongates itself into what is almost a free jam with Tim hollering into the megaphone.
Of Monsters and Heroes and Men is a surprise inclusion for an outdoor show, particularly as there is no Upside tonight, but works well without the use of the mirrorball which added so much to the visuals on the 2008 UK tours. The song builds to its climax and the crowd go mad. I Wanna Go Home is simply stunning. It’s the prime example of how the magic of a James live show is something that is very difficult to capture on a shiny disc. Tim prowls the stage, the desperation of the lyrics coming through in his vocals, the band just adding to it with their playing. Outside in the warm Thessaloniki air, it’s amazing.
Out To Get You has the crowd singing along and once again it ends in something resembling a free jam. The song must last eight or nine minutes as the band pair off to encourage each other and then end in a huddle around Dave’s drums. It seems to stop once and then start again.
Then something amazing happens. The opening bars of Getting Away With It start up and the crowd go absolutely wild. Mental. It’s absolutely crazy. A song that is one of the middle range recognised hits in the UK gets the best and wildest reception of the evening. The crowd start singing it before Tim gets chance and it’s difficult to hear him throughout the whole song.
Sometimes ends with the crowd singing the chorus back at the band. For those experienced in James 2008, it might seem a bit corny and put on now, but there’s real emotion in the way the crowd just pick up on Larry and Andy and take it away. As tradition goes, it kicks into Laid which has an extended outro with Andy blasting trumpet out over Dave’s frenetic drum beat. And then they’re gone.
Mark comes out first for the encore and starts to play the extended intro to Sit Down as the rest of the band make their way back to the stage. The crowd holler back every word. Sound goes off in a number of different tangents, stopping, starting, stopping again, going quiet, getting loud. Yet every time they do it, it sounds different to how they’ve done it before. It’s simply wonderful stuff.
That’s meant to be it, but as the band take their bows, the crowd start singing Say Something. Really loud. There’s no way they can leave without playing it so they do. Tim fluffs the words at one point which almost has Saul bent double as the crowd look on confused. It finishes with an improvised outro and Tim back out on the barrier. The applause is deafening and the band stand there for a good few minutes taking in the applause.
An excellent show in a stunning setting.
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