Tag Archives: Boston
Boston House Of Blues – 9th July 2019
Setlist
What’s It All About / Heads / Ring The Bells / Many Faces / Nothing But Love / P.S. / Moving On / Curse Curse / Leviathan / Sometimes / Laid / Getting Away With It (All Messed Up)Support
with Psychedelic Furs (co-headline) and Dear BoyMore Information & Reviews
None
Boston Paradise Rock Club – 25th September 2010
Setlist
Dust Motes / Rabbit Hole / Dream Thrum / Tell Her I Said So / Getting Away With It (All Messed Up) / Ring The Bells / It's Hot / Come Home / Jam J / Honest Joe / Five-O / Johnny Yen / Say Something / Laid / Sometimes / Sit Down / Out To Get YouSupport
Ed HarcourtMore Information & Reviews
Tim’s tweet : “boston- power outage- blown amps- crisis as an opportunity- we rise as comedians to raw connection. special”
Boston Paradise Rock Club – 15th September 2008
Setlist
Laid / Seven / Oh My Heart / Ring The Bells / Waterfall / Bubbles / Say Something / Five-O / I Wanna Go Home / Out To Get You / Upside / Hey Ma / Sit Down / Sound / Whiteboy / Tomorrow / Sometimes / She's A Star / Born Of Frustration / Lullaby / Don't Wait That Long / Come HomeSupport
Unkle BobMore Information & Reviews
“I played onstage with James” – Jonah Soolman
So, during Sunday’s show, I held up a sign I had made asking if I could come on stage and play guitar on “Come Home” with them. I was half joking, but you never know unless you ask, right? Tim read the sign and told me sorry, the song was not in the night’s planned set list, but if I would be there the next night maybe we could do it then. I figured he was kidding, but then I ran into him outside the venue after the show and asked if he was seriously considering letting me come up and play with them. He asked if I really know how to play, if I am any good. I told him I am. He said he would talk to the band about the idea.
The next night, “Come Home” was the very last song they played. Mark hit the beginning synthesizer notes as Tim looked out into the crowd for me. I started jumping up and down and yelling his name to get his attention. Tim spotted me and told me to get up on stage. The crowd went nuts! I had figured that the chances of me actually getting called up on stage were about 1%, so when it actually happened I could not believe it.
Saul took off his electric guitar and handed it to me along with his pick. He picked up a tambourine to use himself. Can you believe it? I figured that if they ever actually let me on stage to play that they would give me an acoustic and maybe not even put a mic on it, just to minimize the chances of me ruining the song. But no, they wanted me to actually play Saul’s part for him! Saul told me try it out, just to get used to the sound. I strummed each of the song’s three chords once and everything sounded fine to me. All of the band members were looking at me and smiling. The song started back up, I started playing, and Saul told me not to play until he said so. But a moment later, I looked across the stage and I could see Larry motioning to me to start playing so I did. Tim sang some of the lyrics to me to keep me on track, and he gave me some cues regarding when to start and stop playing. I mean, I know how to play the song, but the album version is a little different from the “Getting Away with It Live” version, and last night’s version was somewhere in between, so I was not exactly sure how they had Saul’s guitar part arranged for the evening so their cues were a big help. I looked at Dave and he smiled at me. Andy did the same. Overall I played pretty well. I definitely hit the wrong notes a few times, but the band creates such a full sound overall that I doubt too many people noticed my errors. When the song was over, I handed the guitar and pick back to Saul and security ushered me off stage.
The fans were extremely nice to me. Many of them congratulated me, told me I did a great job, and asked for my email address so they could share the photos they took of me. One woman said she captured me playing the whole song on video and would put it up on YouTube. I waited outside the venue so I could thank the band for giving me this incredible moment. Dave said it was the first time they have ever let someone on stage to play with them. Andy seemed really excited for me and gave me a hug. Tim and I talked for a little while about what the song means to me, the two shows in Boston, and the tour in general. All seven members autographed the sign that I had held up asking to play with them. They were all so generous of their time and understanding of what a moment it was for me.
As for why I asked to go on stage in the first place . . . “Come Home” is my favorite James song and carries a great deal of personal meaning to me. I have played guitar along to that song on CD hundreds of times at home fantasizing about being in Saul’s shoes playing it in front of a crowd. So, why not try to make it actually happen? I figured the chances of it actually happening were virtually zero, but I also figured there was no harm in asking. If I had asked and they ignored me or said no, then at least I would know that I had tried. The fact that they said yes and it actually happened . . . I still cannot believe it!
Boston Paradise Rock Club – 14th September 2008
Setlist
Say Something / Oh My Heart / Ring the Bells / Waterfall / Whiteboy / She's A Star / PS / I Wanna Go Home / Out To Get You / Upside / Hey Ma / Sit Down / Sound / Tomorrow / Sometimes / Lullaby / Born Of Frustration / Laid / Top Of The World / Come HomeSupport
Unkle BobMore Information & Reviews
Boston Globe
After listening to two hours of ebullient music-making at the Paradise Sunday night, it’s still difficult to put a finger on why James – which fills arenas at home – never truly penetrated these shores beyond the mega-success of “Laid,” 1993’s giddy ode to adventurous lovers. The show offered a variety pack of styles that have proved popular since James’ inception in the mid-’80s.
There were heart-expanding anthems in the U2 mould (“Out to Get You”), tightly coiled guitar rockers (“P.S.”), jiggly Manchester dance rhythms (“Born of Frustration”), and dreamy pop (“Say Something”). Tim Booth’s strong vocals, Andy Diagram’s punchy trumpet, and grinning violinist Saul Davies imbued the songs with passion and elegance.
But pondering the particulars of commercial acceptance was not at the forefront of the brain on Sunday, the first of two nights at the Paradise. It was too busy sending signals for the hips to sway, the feet to stomp, and the head to bob as the septet worked through its repertoire on the first night of its US reunion tour.
Regrouping after a seven-year layoff, James dipped liberally into its new album “Hey Ma,” out today. And such was the vitality of the fresh material that if you weren’t a diehard James fan, the only means to distinguish old from new was the size of the recognition applause for the opening chords of each song.
That said, the enthusiastic crowd already seemed well-versed and approving of the new songs with no noticeable dip in energy. Many sang along with the lilting, romantic “Upside” from the first verse. The room swayed to the lyrical violin passages that opened “I Wanna Go Home.” And “Hey Ma,” an incongruously jaunty pop protest of the war, found many chanting the discomfiting refrain “Hey, ma, the boys in body bags/ Coming home in pieces.”
Booth, shorn of his ’90s moptop and sporting a thin moustache, was as charming between songs as he was loose-limbed during them. He flailed and snaked wildly but never lost his vocal focus, hitting the ecstatic falsetto heights of “Laid” with admirable power during the first of two encores.
The band departed each looking slightly stunned at the generous ovation. Booth, in particular, seemed touched and thanked the audience for getting the reboot of the band off to such an auspicious start.
Boston Orpheum Theatre – 8th May 1994
Setlist
tbd
Support
Texas
Review
n/a
Boston Orpheum – 9th March 1994
Setlist
Protect Me / Out To Get You / Chain Mail / Laid (slow) / Honest Joe / Jam J / Low Low Low / Skindiving / PS / Five-O / Say Something / Sometimes / Sound / Laid (fast) / Born of Frustration / StutterSupport
n/aMore Information & Reviews
None.
Boston Avalon – 10th February 1994
Setlist
Sometimes / Heavens / Tomorrow / PS / Five-O / Come Home / Goalies Ball / Lullaby / Laid / Say Something / Honest Joe / Low Low Low / Sit Down / Out To Get You / Ring The Bells / Maria / Born of Frustration / SoundSupport
n/aMore Information & Reviews
Jim Sullivan, The Boston Globe
At this point, no one can legitimately claim to have just “discovered” James. After all, the British band is 11-years-old – ancient mariners sailing in the alternative rock ocean, if you will – but the band has, mostly, maintained a low profile. They have been semi-stars in England – and touted by both Morrissey and Neil Young – but their early albums on Sire in the US barely made a dent. Their first appearance locally was in late 1992 when they opened up for Tom Tom Club and Soup Dragons at the Channel. While James made a strong mark in concert – passionate, creative, built of U2-like stock – and the concurrent album, “Seven” (on Polygram) struck a chord, they seemed to fade back into the woodwork. Too un-definable? Too fey? Too British?
Who knows? But recent times have been good for the sextet, fronted by rag doll-like singer Tim Booth. Their current, Brian Eno-produced album “Laid” is a hit and they sold out Avalon a week ahead of their 90-minute set last night. And they were, in a word, sublime.
All right, you’re trapped in Criticsville so more adjectives will, of course, follow: uplifting, elegaic, panoramic. Mostly, James is all about a journey, musical and emotional. Last night, it started on a soft, spiritual-romantic plane with “Sometimes (Lester Piggott)” (“Sometimes when I look deep into your eyes/I swear I can see your soul”) and “Heavens,” and it coursed through the quietly accusatory “P.S” (with its “You liar . . . You’re sour” punctuations) before, mid-set, moving back to the spiritual and atmospheric with “Come Home” and “5-0” (“Will we grow together?/Will it be alive?/Will it last forever?).” Then, another arc that included the sensual pop bounce of “Laid,” the techno throb of “Honest Joe,” the anthemic, U2-like reach of “Sit Down” and the closing of the regular set, a spacey, synth-and-violin driven piece called “Skindiving,” a song that would not be out of place on Pink Floyd’s “Wish You Were Here.”
We’re talking bredth and depth. We’re talking head and heart. We’re talking about a band that can crisscross the emotional spectrum and sell neither despair nor euphoria short or cheap.
There’s a sense of integrity and, you might gather, a moral purity to this band. It’s not unlike the vibe you’d sometimes get from early R.E.M, U2 or Waterboys. And, there’s not any pompous, tilting-at-windmill rockisms – aka The Alarm syndrome.
With James, there’s nothing in the least that’s showy. Booth flopped listlessly in the breeze until the encore, when he donned a dress (for the first time on stage, he said) and did a bit of whirling-dervish stuff. Basically, James’ songs tend to climb slowly, sometimes from an acoustic guitar base, and reach a series of glorious crescendos. Sometimes, it’s a double percussionist’s climax; sometimes it’s a flavor added by a slide guitar (a rarely heard flavor in this genre); sometimes, it’s the bond you feel when a heartfelt singer admits, “We feel nothing at all,” or, alternately, “What I need is you.”
James’ sound is the sound made by a velvet hammer.
Boston Channel Club – 31st October 1992
Setlist
UnknownSupport
(supporting) Tom Tom Club, The Soup DragonsMore Information & Reviews
The downtown Boston gig with the Soup Dragons was moved at the last minute to The Channel, and both bands slotted in to support the Tom Tom Club.
Boston Paradise Rock Club – 11th March 1992
Setlist
n/a
Support
n/a
Review
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