Setlist
Sit Down / Better Than That / Many Faces / Coming Home (Pt 2)Details
- Venue: BBC TV Studios, London, UK
- Date: 5th June 2018
“Lightning flashes ominously in the background as James take to the stage as the sun begins to set and the full moon appears in the sky. That mix seems to fire the band up tonight for one of the strongest festival sets we’ve ever seen them perform. There’s a confidence running right through the band now that feels infectious as if there’s an unstoppable momentum propelling them forwards.”
Read the full review on EvenTheStars.co.uk
“James are festival veterans though and know that however much you experiment with the set, you need to leave the crowd with big hitters. Come Home sees [Tim] out amongst us, on the barrier and then crowd surfing, a particularly brave move here where there’s likely to be more wanting to capture an iPhone moment rather than holding him up.”
Read the full review at EvenTheStars.co.uk.
None.
“I had my reservations about tonight. They were well and truly dismissed about twenty seconds in however. This is James, doing what James do. A stunning team performance where they tested each other and they tested the audience throughout the entire two hour show. The musicianship is incredible. Saul Davies has a quiet night but oozes cool , Adrian Oxaal is truly stunned by the audience reaction at times and Andy continues to be intuitive, adding glittering touches to many of the songs.”
Read the full review on EvenTheStars.co.uk
“It’s time then to debut What’s It All About?, the closing track on Living In Extraordinary Times, and one of those journey songs that have so many different sections you can only identify them as coming from the same place by their dental records. It ends in a gentle acoustic strum with Tim repeating a mantra-like chorus, stood inches away from Adrian.”
Read the full review on EvenTheStars.co.uk
“What happens next is something that will live in the memory as one of the most incredible gig moments as the audience takes the chorus of new song Many Faces, which remember the vast majority of them will never have heard before and it’s not been released or even played on radio, and sing it back to the band for more than five minutes. Its chorus of “there’s only one human race, many faces, everybody belongs here” might have been written about Trump’s threat to build a wall to keep out Mexicans, but it embodies how this band write songs that are specific to Tim’s thought processes, but which allow everyone to put their own meaning to them and the two be completely compatible. In true James fashion, they probably won’t release it as a single.”
Read the full review on EvenTheStars.co.uk.
“James then crank it up for the romp through the final third act. Tim dives into the audience for How Was It For You? and is surfed aloft almost right round the King George’s Hall. Born Of Frustration provides more audience interaction as Andy pops up around the balcony like a manic trumpeting troubadour. And Attention is even better with the stronger drum beats that are the new band trademark.”
Read the full review on EvenTheStars.co.uk.
“Tim’s off into the crowd again for Born Of Frustration, but this time he scales the speaker stacks and climbs on to the balcony where he stops to dance with people as he makes his way round to be met by Andy who’s entered at the other side. There’s a moment where they stand face to face, vocal soaring with the trumpet call, and then they pass and complete their circle.”
Read the full review on EvenTheStars.co.uk.
“To say that it must be difficult for the band to choose a set list each night from their 250 tracks would be a huge understatement, but it’s a skill that they’ve perfected. Though impressed by all of the new tracks, the most memorable for the majority is likely to be ‘Many Faces’, which will soon sit alongside huge crowd pleasers ‘Sometimes’ and ‘Nothing But Love’.”
Read the full review on GIGsoupmusic.com
“The stage is set in a dark crisp burning orange that looks like the embers of a big fire settling and only the core of the fire still visible. Thousands of arms are raised aloft, everyone’s own interpretation of the lyrics are sung back like some form of communal expulsion of demons.”
Read the full review at EvenTheStars.co.uk.
At the end of October 2017 James announced a special one-off intimate concert to benefit the We Love Manchester Emergency Fund with the following message “Very happy to announce this benefit gig that we have been trying to make happen since the atrocity took place. Please excuse our tardiness. We intend to make a memorable night of this intimate gig. With love, James.” The tickets for the 2,000 capacity Manchester Albert Hall sold out in minutes.
The gig itself was opened by an acoustic set by special guests The Slow Readers Club, who had supported them throughout the Girl At The End Of The World tour.
James then played a first set of new songs, acoustic arrangements and Q&A, including a 9-minuted improvisation to showcase how the band developed new material. The acoustic songs, arranged by Joe Duddell, featured a string quartet.
Glasvegas singer and songwriter James Allan played a solo keyboard and guitar set.
James returned for their main set. At the end James bid farewell to regular touring member Ron Yeadon.
Specific merchandise was produced for the gig, including a hoodie, t-shirt and Mancsy print, with all net-profits going to the We Love Manchester Emergency Fund.
Tonight James were soul music, healing the heart of a city that was devastated by an attack on the gig culture that is at the very core of what makes Manchester one of, if not the principal music city of the world.
They deliver it as ever with a cleverness that means momentum is never lost and Tim’s out amongst us on Curse Curse, bending almost contorted over the front rows as well as ignoring all health and safety rules and a fair bit of self-preservation by clambering up onto the balcony and dangling precariously over us for the main set closer Come Home, showing that their intent is not just to connect emotionally but also physically with us.
Read the full review at EvenTheStars.co.uk.