Setlist
Sit Down / She's A Star / Ring The Bells / Sound / It's Hot / Out To Get You / Stutter / Say Something / Tomorrow / Sometimes / LaidSupport
n/aMore Information & Reviews
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Tonight’s show at the Showbox at the Market in rain drenched Seattle appeared rather typical of the other performances on this 2010 James North American tour. Pretty well the same list and running order of the majority of shows, though it was nice to hear Hymn From A Village and Born Of Frustration mid-set, both of which have only been done once or twice so far. However from the opening moments there was a different feel for those of us who have had the pleasure of seeing a number of shows from coast to coast this year. Tim and Larry started an acoustic take of Sit Down at the back of the room, walking through the room, with the rest of James joining in mid-song. This got the audience going though it didn’t seem to have the same drive tonight as it had on other nights. This was quickly followed by the slow and intense Out To Get You, with its great slide guitar work by Larry and audience invigorating violin solo by Saul. This one usually turns up during the last half of the set. Once it comes to a close Tim notes that it is odd starting with the end and goes on to explain that his Mum just had a stroke a few hours before the show As he introduces Tell Her I Said So, a song about dying old in an old folks home which he cowrote with his Mum, he dedicates it to her.
Perhaps one just has a tendency to see ghosts in shadows, but the night seems to continue in an introspective and reflective manner. The usual set highlights of Say Something, Ring The Bells, Wanna Go Home, 10 Below and set closer Sound, where Tim invokes his late father’s spirit, seem to have an additional dimension within the context Tim has provided for the night. This evening there are also very few pauses between songs ie no talk all song. This works particularly well with the trio of Stutter, and its thundering three drummer close, Jam J, which features Jim’s bass work, and Laid which starts off slowly tonight. This evening James are more error prone, for instance staggering through the start of Hymn From A Village and Tim’s vocals go off from time to time. Everything gets pulled together by the end of the night as James lead the audience through the Sometimes singalong. Tim then invites ten or so “great dancers” onto stage to dance along to the night closer Gold Mother, which he dedicates to his Mum. Both a joyous and sombre end to the night; contrary and pure James.
And an end to my portion of this James tour, consisting of seven great shows from Boston to Seattle and assorted venues in between these two points. My thanks to all seven of James, one of the greatest and most spontaneous live bands of all time, for many truly wonderful nights and memorable moments.
Review by BRD
Tonight is another one of those nights where James just sweep the audience off their feet with the power and enthusiasm of their performance. Not that the Portland crowd needed a lot to win them over; they were getting quite restless in their wait by the time James entered the small stage. A bit after 10pm Andy surprises everyone as he kicks off the night when he does a trumpet salute to Sit Down from the front of the mini balcony at the back of the hall as Larry does a long acoustic intro from the floor ie the Full Royal Albert Hall treatment.
Eventually, Tim, ever the showman in a big fuzzy hat, faux muscle shirt and gold sparkly harem pants, eventually appears atop the basement bar entrance singing away. All of James join in mid-song bringing the audience to a frenzy which doesn’t diminish for the rest of the night. Much to Portland’s delight, James proceed through the greatest hits catalogue, checking off Ring the Bell, Laid, She’s A Star, Tomorrow and a shorter than usual version of the set closer Sound, with Andy’s extended trumpet solo. To keep things interesting, a handful of little known songs are thrown in such as Jam J lead by Jim’s distorted bass line; band favorite from Hey Ma, I Wanna Go Home, which summarizes life on tour; and the thunderous Stutter with it’s perfect three drummer close. To really keep us guessing, James do the reflective Top of the World, the last song they performed live when they broke up in 2001, in the middle of the set. They continue to frustrate, doing only four songs off their two 2010 mini-albums. The two biographical songs they do do standout: Tell Her I Said So about life in an old age home, which was co-written by Tim’s 90 year old Mum, and features a great full band and audience choir; and Crazy, Tim’s self assessment before his liver ailment was diagnosed.
Ever the contrarians, James start the encore with the contemplative Out To Get You, featuring Larry’s great slide guitar and Saul’s gut wrenching closing violin solo which drives the audience off the cliff in a frenzy of emotion. Then out of the blue, the band launch into the long lost and lovely Heavens off of Seven, which in retrospect seems to be a premonition of events to come. Breathtaking.
James seal the deal with Say Something and the extended audience singalong which Sometimes has become.
Due to curfew restrictions the night comes to a close despite the crowd’s passionate protests. And a near perfect night it was!
Vancouver’s Commodore Ballroom is just that, a huge renovated ballroom with a sprung wood dance floor. As we walk past the venue at 6pm in search of dinner, trying to avoid the many street people, we can hear James running through their real soundcheck. James start their night at 9:30pm in a very mellow mood with Dust Motes and PS. Interestingly they gradually energize the crowd starting with the audience choir in Tell Her I Said So coupled with Saul’s drums and hitting a peak a few songs later with Jim’s solo feature piece Jam J, a real gem. For me, the highlight of the night is the bluesy wailer, Don’t Wait That Long, which James have done a handful of times since their reformation. In this one, Saul’s beautiful violin work perfectly complements Larry’s uncharacteristic (for him) Brit blues rocker guitar work. Next up it’s nice to hear Porcupine from Night Before; such a shame it’s not joined by Shine or Doctor Hellier. GAWI then takes the crowd away as Tim moves onto the barrier to sing a duet with one of the boys in the crowd, going off key as he tries to keep his balance. Blasting through Tomorrow, James push things up a notch as Tim circles the ballroom floor, dancing on tables, while singing Say Something. Then out of nowhere they do What’s The World, which is foreign to most of the audience; truly a one off. The night has its light moments too. After finishing Sound with a new adlib section, Tim starts to introduce a little known song as the set closer, when Saul mentions his setlist shows Sit Down still to be done. Speaking of which, it’s great that James have gone out of their way in this tour to change up how they do Sit Down each time, deciding tonight to do a real rocking version. The lid then gets blown off withe brilliant set closer Stutter; the three drummer (Dave, Mark & Saul) ending section is just so powerful.
After a 4 or 5 minute pause, James return to the stage for a greatest hits encore of (the rarely done on this tour) Come Home, which sounds very fresh tonight; an electric Sometimes, with an error filled intro and the standard audience choir close; then capping things off with Laid and ignoring the audience’s cries for more.
Speaking of which, the crowd tonight is very notable for being by far the most boorish and rudest bunch I’ve come across on this tour. Not only talking loudly over most songs, many of the boys seem to go out their way to grope, knock into and stomp on people. Worse yet, this may be because an unusually large minority are in a drug rather than a musically induced trance tonight; ecstasy and meth look to be the chemicals of choice but a number of reefers were also lit in the smoke-free venue. Overall quite a negative atmosphere. Strangely, Tim really seems to feed off of the high audience members; perhaps, here’s a mirror with your name on. Overall, quite a night of contrasts, ranging from a varied and largely unpredictable main set to a cookie cutter encore. Well that’s James!
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Tonight, James made their way to the windy city where it felt like it was ten below outside. Good thing the band was there to warm us all up.
The sound check opened with Basic Brian. A wonderfully melodic song from Wah-Wah. A rarity in the live arena. James had debuted Brian at the previous night show in Michigan and it was good to hear it again tonight. Wah-Wah is just a brilliantly discordant record. Sometimes there are allusive jams, and next, there are wonderfully, near complete songs. Brian is somewhere in between the chaos and a dream. Five-O followed, with Tim exclaiming that “Five-O just isn’t sounding right, so it needs work.” Personally, I think Five-O sounded great in DC, and it sounded just as good tonight. Then, Gold Mother, which the banded teased that would make it’s debut in the show proper. If so, would there be on stage dancing during the lie show? Only time would tell. The sound checked finished with Tell Her I Said So, again with an audience sing-a-long.
The show proper started with Tim and Larry playing Lose Control acoustically. The two wove their way from the back of the crowd toward the stage. Tim with a mic in hand; Larry with a guitar. The audience didn’t have time to even warm up the band with an applause- the lights weren’t even dimmed yet as the two started playing. The music just appeared from cacophony of the audience’s pre-show chatter. As the first chord was strummed, there was a hush of excitement. The audience, turned. And Larry and Tim emerged from the darkness off-stage . Tim and Larry gave us a vibrant rendition of Lose Control with Larry strumming his guitars, tempting the familiar chords into a new life, into a new world, while Tim’s voice echoed the pain of a man adrift in some dark night.
Next, came Seven, which is one of my personal favorites. The refrain, God made love to me, soothed away my gravity, gave me a pair of angel’s wings, clear vision and some magic things, is one of the most beautiful passages ever written. Hearing Seven live was a pleasure. While Seven may not have the end of the show gloss like a Sound, or Sometimes, Seven still holds such lyrical beauty. Expounding the search for love, the balance of the heart, and the mystery found in between the discovery and the dream, Seven is a lovely song which I hope continues to be played for years to come.
After Seven finished, Tim revealed to the audience that he had looked at the setlist from two years ago, and not to retread old ground, the band wanted to play songs they hadn’t played for us before. And so the night would prove to be a new journey for us all.
Tim then said that Jim had played a brilliant new intro to Just Like Fred Astaire, but had already forgotten what he played Luckily, Tim had recorded Jim’s intro on his iPhone and promptly held his iPhone up to the mic to play it for the audience (and for Jim so he could play it again).
Unfortunately, Tim’s plan didn’t work, as all anyone would could hear when he held his iPhone up to the mic was distortion. Larry came over to help Tim hold the iPhone’s speaker directly into the mic (Tim had his iPhone positioned wrong, hence the distortion). Saul joked about Tim being a “so called modern man” and by the time we could hear something other than garble, Tim had given up the idea.
None of this mattered of course, as the band launched into Just Like Fred Astaire with great fervor. The audience loved this too, and sang the song all the way through.
Hearing new songs again tonight really brought a new energy to the show. And this what makes James a brilliant band. Never sitting back and being lazy, always exploring, feeding, energizing not only themselves, but those who enjoy them.
The show evolved and grew. The energy was thick and alive. The audience was amazing. Responding without hesitation to the band’s enthusiasm and spirit. At times, Tim would stop singing songs and just watch us all, like a curious scientist, examining the results of an experiment, Tim was curious to see what we would do when he just, stopped singing. How we would respond to his silence. Each time we responded the same- we continued to sing. Raising our voices higher and higher, letting the band play on and on.
At the end of the show, when Gold Mother was played, audience members were brought on stage to dance. Even on such a small stage, the audience members danced and gyrated to the song as if they had all the space in the world. While some of them ignored Tim’s warning not to take photos or videos, none of it mattered, as the unscripted uncertainty unfolded, the audience members unwinding, opening up, letting themselves go, finding their courage through their dance. The dancers’ energy was intoxicating, and Gold Mother gave birth to new sounds, a new presence that felt even more alive than ever before.
There was one more song. The few on stage were allowed to stay, and Laid was there to close the set. We didn’t want to let the band go; the audience could have cheered them on all night. But all good things must come to an end, and alas, the band said ‘goodnight.’
And as I left the venue, I had the thought, the realization that the band feels even freer than they were two years ago. Happier. Healthier. I see Mark talking. Smiling even. I see Andy dancing. Moving around the stage more like he did in the days of the Seven album and tour. The dialogue between Saul, Tim and Larry is amusing. Humorous. Filled with a camaraderie found only with the closest of friends. And they are friends. All of them. A band of brothers. Of mates, all wanting to play music, create art, and move through the sanity and chaos together, as one.
It seems as though the band has no more shackles. No more fear. There is a contentment in this reformation. A peace. While their bodies are older, their spirits are all free. And so the audience is rejuvenated from the songs, just as the band find their tempo, their rhythms, so too, do we all. The band writes songs we can identify with. The band plays with an energy we are tune with. And from this place, we all move forward. Pressing on from what haunts us. Moving forward from what binds us to our place. We are able to reexamine ourselves with their music, and the band is able to help find balance through us. It is a wonderful symbiosis that exists between us, as an audience, and James, as a band; one that I hope continues for years to come.