Setlist
Out To Get You / Tomorrow / Sit Down / Sometimes / Honest Joe / Gold Mother / Laid / Born of Frustration / SoundSupport
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Sam Steele, NME
Saturday night headliners James are caught between old and new. Neither newcomers nor obvious has-beens, the erstwhile Northern glummos haven’t played WOMAD since 1985.
They’ve been too busy courting America and re-inventing themselves as stadium rockers after “Sit Down” – but they’re now rumoured to be searching for their folky roots … which could explain their return to this Cornwall cove. On the other hand, it could simply indicate that James are simply on the downward slide.
Tonight’s set, featuring most of the songs from the new album “Laid”, is liberally sprinkled with suitably rustic traces. An acoustic ambience replaces the bombastic rock of “Seven”, and there are distinct signs of James returning to the humble jangle of the “Gold Mother” album.
Thus “Sit Down” is swiftly dispatched at the start of the set to avoid confusion and make way for the following hour of Smithsian guitars, bouncing accordian parts and Tim Booth’s strangled vocals – all of which are a tad bland in the colourful arena of the WOMAD festival. Even the current single “Sometimes” is little more than a pleasant wash of instantly forgettable melody that sees the crowd swaying uncertainly as their former heroes transmute into dull folk-rockers.
Sadly, it appears that James are wistfully attempting to recreate their finest hour of shuffling student songs just as the most exciting new bands are pushing forward into a global village of musical fusion – a fusion that, as Fun-da-Mental demonstrated, has the potential to cross generations as well as cultural boundaries. The fools!
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When James went into Real World Studios to record Laid, the plan was to make three albums – the studio album, the improvised album that became Wah Wah and also to record a live album at an intimate show during the sessions. They chose Bath’s Moles Club, where they’d recorded One Man Clapping five years earlier to do this. However, the band and label were reportedly not happy with the quality of the recording so the idea was shelved.
Out To Get You / Pressure’s On / Say Something / Ring The Bells / Skindiving / Chain Mail / Maria / Next Lover / Sometimes / Laid / Sound / Tomorrow / Johnny Yen / Top Of The World / Sit Down
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James have been touring the world for three months, including supporting American giant Neil Young in the States, and as lead singer Tim Booth suggested, with some Yank inflexions in his voice, “he’s taught us how to play acoustically.”
Billed as an acoustic set, the term applies more to the style of music than a lack of electric amplification – classic James songs like Sit Down, Poison, Johnny Yen and Walking The Ghost gained from being stripped down to bare essentials, thought the quieter moments tended to be lost among the youthful audience, out for a pre-Christmas night of boistrous fun. Though without departed trumpeter Andy Diagram, the band – ranged in a line across the stage with the drummer far left – looked like a bunch of seasoned travellers returned home with stories to tell. These emerged in new songs which sounded terrific on first hearing, including a powerful hook in a song in a epic-sounding number about America.
Tim Booth’s voice, as ever, is the keynote of the live set, as strong and rich as ever, able to swoop across the fertile terrain of guitars, violin, and a variety of keyboard instruments.
Add to the formula a stunning layout of modern art and light images on three rectangular backdrops, and this was one of the most impressive gigs, from a band approaching their swollen stadium status with control and maturity, that I’ve seen this year.
See attached press clippings.
The show was recorded and a hour’s highlights broadcast on BBC Radio 1