Setlist
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James perform at the official Olympics welcome home for Team GB at Manchester’s AO Arena
with Orca 22 and The Manchester Inspirational Voices Gospel Choir. Johnny Marr joined them on stage for Laid
Laid (with Johnny Marr)
“An outdoor orchestral show with such a challenging setlist is a risk, but one that you’d expect James to take and actively embrace confident in their ability to take most of the audience with them. There was a real sense of joy up on stage, Tim in particular totally in the moment, wandering the stage, encouraging one minute, standing in awe the next. It was a perfect way to sign off the 2023-24 round of orchestra shows.”
Read the full review at Even The Stars
“Adding a full orchestra and a gospel choir was bound to ramp up the theatrics. Set against the backdrop of Lytham Green, with its iconic windmill, and the sun setting in the background, the performance went on a journey from the band’s back catalogue, peppered with singalong classics and singles from their newly released album Yummy.”
Read the full review at Manchester Evening News
“After experiencing the beauty of the band’s orchestral shows last year, we were initially unsure if and how they would translate to an outdoor setting. However, James proved their unwavering prowess once again with a headline set at Lytham Festival that was utterly sublime. Their versatility shone brightly as they delivered another performance of unparalleled beauty.”
Read the full review at God Is In The TV Zine
“After attending last years orchestral tour and experiencing the stillness and emotion created in the intimate venues, I was concerned about how this would translate in an outdoor festival atmosphere and also how good the sound quality would be. I needn’t have worried. The sound quality is perfect, the visuals more stunning than I could have ever imagined, and the whole performance feels just as intimate and special as any show I’ve seen previously. It’s majestic and all consuming, the energy and spontaneity that James bring to their performances unlike anything I’ve witnessed with any other act and I feel very grateful to be here tonight to witness it.”
Read the full review at Louder Than War
“Its now time for the encore that isn’t as it would take a lot of time for everyone to leave and return and typically James they’ll already be overrunning. Sit Down “starts” it off, suppose there’d be a riot if it didn’t appear at some point and the crowd duly sing along. Beautiful Beaches makes an apt appearance given the venue tonight and the night is finished with the glorious and true James anthem Getting Away With it (All Messed Up).”
Read the full review at RGM
“After an hour Booth apologises for running out of time, and it feels like James could easily have gone on. Yet even truncated, their performance was an invaluable reminder that this extraordinary festival is counting down to its end, and we owe it to ourselves to make the most of it. Today, James were superb.”
Read the full review at Mojo
Making It Up podcast interview with Tim Booth by Carter Wilson
“This week’s Making It Up is extra-special as it features Tim Booth, lead singer and lyricist of James, a British band who has been performing for over 40 years and has sold more than 25 million albums globally (James is also Carter’s absolute favorite band, making Tim one of his personal heroes). You may have seen quotes from James songs as epigraphs in many of Carter’s novels, which is how he got to know Tim. After a decade in the making, Tim’s brilliant debut novel, When I Died For the First Time, just released in the U.K. and is set for a U.S. launch in July 2024.
Among other things, Tim and Carter discuss seeking out art and culture as a kid, how improvisation and editing are large parts of Tim’s lyricism, and how having an established audience affects confidence in writing. At the end of their conversation, they make up an incredibly descriptive story using a line from David Mitchell’s Slade House.”
Tim Booth on Leeds, Late Nights with Gordon Strachan, and Will Ferrell | Football Music & Me
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Shortly after forming the band ‘James’ in 1982, they turned down an NME cover and later refused a million-dollar campaign to break into the American market – saying they weren’t fussed by commercial success.
Click the link below to read the full interview
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