Details
Promo video for the album launch
The Campfire EP is a success on many levels, it feeds the James’ fanbase’s love of them taking songs and twisting, turning and breathing new life into them by adjusting the perspective on them. For the All The Colours Of You tracks it’s a companion piece to the album that we’d love to see them explore for future records whilst the inclusion of Just Like Fred Astaire in this form is a welcome alternative take.
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Tim explained some of the meaning behind the lyrics to the One Of The Three James page earlier this year – “The Miss America pageants used to be so white and 1950s throwback pre-feminism. Women have to look pretty and be giddy and stupid. They’d be asked crazy questions that make them look stupid too. And then Trump used to run Miss America beauty pageants. And then I’m leaving America – ‘miss America’ – there’s levels of puns I could work with, there’s rich ground.”
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Confession time, James have always been a band I love but the last few years I’ve not enjoyed their output quite as much, it’s not quite matched up to songs like ‘Born Of Frustration’. Don’t get me wrong, they have always made interesting, quality records, it’s just been a while since one of them hooked me quite as quickly or totally as this album. I almost felt taken back to my days of sitting on various disgusting night club floors while belting out ‘Sit Down’ (by no means their best song). I’m now wondering if I’ve been fair to some of their more recent albums and am planning to go back and listen to them again.
Enough about me though, you want to know if this album is any good, does it keep up the high standards set at the beginning? The answer is emphatically yes. This is no longer the Indie Rock James of their early career, there are a variety of different genres and soundscapes on offer, with there being no weak link. Standouts for me are ‘XYST’, ‘Isabella’, and ‘Getting Myself Into’ but there genuinely isn’t a song on here I didn’t enjoy, it’s been a while since I’ve been able to say that.
This is an album that doesn’t just impact you on an emotional level, it also makes you want to dance, to sway to it, to sing along. This is a band on top of their game, they have also been a quality live act, this album should sound excellent when we finally get back to gigs. Go buy, download or do whatever you need to do to listen to this album, it’s worth the effort. Personally I think I will invest in a vinyl copy.
5/5 (100%)
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Extracts from interview with Saul Davies:
The tour in the Autumn is with Happy Mondays, are you all friends with each other?
No, not really – there is not a great connection between our bands. We are very different kinds of people culturally and all the rest of it. I joined James in 1989 and the year before that James took the Mondays on the road with them as a support band and I think there were great differences then and I think there still are now. We represent different musical traditions and different lifestyles. I think there is huge respect from both camps to each other, I hope there is – there certainly is from James to the Mondays. I think they are an amazing band who have had some incredible moments but we would not live our life like they have lived theirs.Has the song Sit Down been a blessing or a curse to the band?
Totally a blessing. Globally, Laid is our biggest song by far, so for example in the States it is Laid, not Sit Down. You learn where you are and where you are going to that people and they have their favourites. You are known for different things in different places, I have no problem at all that Sit Down proceeds us. It is only difficult if you do not know what to do with it and I think we worked out many years ago what to do with it – which is not to play it all the time and never ever, don’t ever, give it for synchronisation into a film.Do you listen to any new artists?
There has never been so much new music as there is now, the trick is getting through it all to find the stuff that connects with you. I have done a bit of work with a Manchester band called Rosellas, they have some fantastic songs. They have only been going a couple of years but they have a lot of potential. They have that Manchester swagger about them – just a real confidence and a cheekiness but underlying it all [and] the songs are fantastic. I discovered them through a friend of mine and I’m involved in a charity called Everybody Belongs Here and at the end of January this year we did an on-line concert with some of the biggest artists in the world and we called it Music Feeds. We raised a million pounds for food charities. Sam Smith was there, Liam Gallagher, Newton Faulkner and it was also an opportunity to showcase some new artists and Rosellas were involved in that. I was fortunate to be able to go to The Met in Bury and record Rosellas there for the event. It was remarkable really and an amazing day for me.There is another band too called Sound of the Sirens, two girls from Exeter who have a very English sound – they have been going for a little while now but I have been working with them too. Yes there is a lot of new music around you just have to be brave about trying to find it.
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British band James’ 16th studio album comes barreling out as a creature created by the tumultuous last couple of years. All The Colours of You discusses the topics that formulated 2020 and 2021—from the COVID-19 pandemic, lockdowns, protests and the murder of George Floyd. The songs go from anthemic to a sweaty club beat, all wrapped up in a blissfully light rock tone throughout.
“Beautiful Beaches” is the change in tone the album needed, something to loosen up the sadness of “Recover.” The track sounds like a warm summer day, a perfect day for the beach. It’s light and airy, with the beat of a coming of age soundtrack, kicking in with a little bit of sadness with the electronic sounds that begin and end the song. The drum beats towards the end are sprightly, making sure to not bring down the energy that the song created.
A funky electronic club-type beat introduces itself with the song “Wherever It Takes Us.” The beat bops up and down, perfectly melting with the rock sound. The vocals are close up and in your face as if Tim Booth (lead singer of James) is telling a very specific and intricate story right to the listener. The song plays out almost like a spoken word poem, with wondrous imagery and a grandiose chorus “we’re all in wherever it takes us.” Towards the middle of the song, a woman’s voice appears, weaving and winding its way through the song, smooth and sultry—perhaps this is the “she” referenced throughout the song. Either way, one thing is clear: she’s “made of stars.”
All The Colours of You captures a lot of real moments from 2020, and along with that, it also captures a majestic “multiverse” of songs that will float its listeners out to space. A delicious mixture of electronic creativity and the sadness that comes with realism, James have created an album that’s relatable, healing and that will offer up a place to escape.
All the Colours of You is “made of stars.”
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The work this band has produced over the years and their contribution to live music is truly a force to be reckoned with. You may hold close James for many different reasons; for me it’s being the soundtrack to the American Pie era, which makes it all the more exciting to see they’re still part of popular culture and creating narratives on today’s history.
A personal favourite from All The Colours Of You is the closing track XYST. The dramatic drum beats, perfectly matched with the band’s beautiful harmonies singing “You’re one of us”, create such an eerie sound, and closing with a lion’s roar there’s a real punk element to it and I just love it. James co-founder and bass player Jim Glennie simply calls the music “massive”. Tracks on this album are among the most arena-ready in James’ 38-year history.
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