Tag Archives: Tim Booth
James star in death threats ordeal – Manchester Evening News
By Sarah Walters and Neal Keeling, © 2011 Manchester Evening News
James star in death threats ordeal
“Stalker told me: I’ll kick your wobbly head in”
- James singer reveals email and poster taunts
- Police informed as band perform city gigs
JAMES star Tim Booth has spoken of his ordeal at the hands of a stalker who has threatened to kill him. Police were alerted after posters went up in Manchester saying the singer would be attacked.
Booth, 51, revealed he was being targeted during a James concert at the Bridgewater Hall – after security had been stepped up as a direct result of the threats. The posters appeared ahead of the band’s two concerts at the Manchester venue on Monday and last night. Booth, who joined James while he was a Manchester University student in the 1980s, told the M.E.N: “I’ve been getting some strange emails from someone for about a year-and-a-half that have been getting weirder and weirder, which could be from the same person [as put up the posters] but we don’t know.
”The posters were put up over James posters at the Bridgewater Hall and someone was also handing out fly-posters.
“Someone’s gone to a bit of effort. They detail what they’re going to do to me when they get hold of me.
“It wasn’t a problem for me. I go walk-about in the audience and so that was a bit difficult. I felt it better to announce it to the audience and also if anyone sees someone handing posters out to report it to the police. We have told the police. We reported it here and in Nottingham – you have to report it in the place you’re in. Originally that was Nottingham.
“I’m assuming they’re going to be at one of the shows, that’s why I’m talking to the audience. In Liverpool, people were coming on stage and were grabbing me and security get really nervous obviously. I just felt like I was going to come out and make light of it as well, just inform the audience so they know what’s going on. I’m hoping we can flush him out at a show because he’ll be in an environment where I can deal with him.”
Security staff set up tables outside the Bridgewater Hall to check fans’ bags.
The box office was also screened off from the main foyer so no one could enter without going through security checks.
Security staff were also inside the hall during the show.
Four songs into Monday’s show, Booth produced an A3 poster, handwritten in black ink. He said a stalker was threatening to ‘kick his wobbly head in’ before joking that if he wandered into the audience everyone he approached should put their hands in the air to prove they weren’t ‘concealing any weapons’.
Then he said: “Seriously, if anyone sees anyone putting up the posters, I’d appreciate it if you’d contact the police.”
Yesterday Booth and the rest of the band unveiled a plaque to commemorate their first gig at the Hacienda club in Manchester 30 years ago.
Chhhanges Tim Booth Interview – Vox Magazine
© July 2008 Vox Magazine
The whips! The T-shirts! The frocks! The Moz! The James mainman’s life in pictures…
Then…
That’s an innocent, naive boy. This is at university, a concert at the Solent Bar, put forward for my drama dissertation. It pulled my degree down to a 2:2.I don’t look as vulnerable as l felt.
1987…
Now this is as bad as it gets. We’d been meditating, where there’s a real belief about bright colours being positive .So we ended up looking fucking weird. Which we were. A strange little vegan clan.
1989…
That’s a carpet turned waistcoat, basically, that I got on a Moroccan holiday. When I seethe three of us there, I see… three young men. Some of these pictures of me, you wouldn’t recognise me now.
1990…
The Gold Mother period, which was bittersweet. We thought it was a good joke that I had “come” on my chest. You can see we’re starting to look like rock stars. Those T-shirts were everywhere then.
1990…
I remember this dreadful shirt from the “Come Home” video. I remember seeing it four years ago and going, “How did people manage to like us? How did they get past us looking so fucking uncool?”
1993…
It was my idea for us to wear dresses. We were eating bananas because we were starving, on Marseilles cathedral’s steps. It was the first time we got an image right. And how weird is that image?
1994…
With Morrissey. On and off we kept in touch. We’d had a close relationship, certainly in the early days. Last time we played together he didn’t make any effort to get in touch with us, so I don’t know where he’s at now.
1996…
I love Angelo Badalamenti, one of the happiest men I’ve ever met. James had a period of being very tense, and the simplicity of laughing right through a record with one other person was a joy.
1997…
Hee-hee! This one didn’t make it in the magazine. Fucking ballsy band for doing this. That’s a great fucking picture. What the fuck is that, man? Jimmy [Glennie] looks worried, look! He’s like, “It’s coming, it’s coming…”
2005…
As Victor Zsaz, in Batman Begins. Christian Bale, huge in his Batman suit the first time I see him, goes, “Tim Booth? From James?” [squeaks] “Yes?” “Oh, man, Laid saved my life.” I’m thinking, ‘Batman loves my music!’
Now… 2007
Three gay tailors. That’s a terrible picture. It was our first shoot back, and we were rusty, uncomfortable and nervous. It’s fucking stiff. Isn’t that bad? The last one is like, “You haven’t learnt a fucking thing…”
James’ new album Hey Ma is out now on Mercury. Tim Booth will reprise his role as Zsazin the sequel to Batman Begins, The Dark Knight
Down To The Sea
Released on Tim Booth’s solo album Bone.
Details
Song Name: | Down To The Sea |
Alternative Name(s): | |
Original Artist: | Tim Booth |
Song Type: | Song |
First Heard Live: | London ICA - 15th October 2003 |
Original Release Album: | Bone |
Released: | 14th June 2004 |
Release | Artist | Format | Year |
Down To The Sea | Tim Booth | Studio Single | 2004 |
Bone | Tim Booth | Studio Album | 2004 |
Bone (Promo, Japan) | Tim Booth | Promo Album | 2004 |
Bone (Promo) | Tim Booth | Promo Album | 2004 |
Tim Booth (5 Track Demo) | Tim Booth | Promo Single | 2001 |
Down To The Sea (Tim Booth) | Tim Booth | Video Single | 2004 |
Down To The Sea (Tim Booth) | Tim Booth | Video Single | 2004 |
No one is to blame
Find a bum to dump it on
This unwanted shame
When I point the finger
I've got three pointing back, haven't a clue
What you've been through
So it's easy to attack
Everybody's looking
For their own way to get high
Find God, shoot him up
Learn how to die
My head's full of
Self-pity and noise
I need a clean me
I need a new voice
Go down
Down to the sea
Down to the ocean
She's calling to me
Everybody's famous
For a second or two
We could address the world's distress
But the pop star's on too
Looking so damn lonely
Looking for a soul
Trying hard to cover up
The emptiness, the hole
What you're calling culture
Is just arcades and malls
I can't hear myself think
I can't hear my heart sink
Here's a diversion
A howl at the moon
The only time I feel alive
Is when I'm with you
Go down
Down to the sea
Down to the ocean
She's calling to me
Gonna wash away my
Fears of this place
Gonna wash away my
Tears from your face
Unavailable on Spotify.
Bone
Summary
Tim Booth’s first solo album.
Track List
Wave Hello / Bone / Monkey God / Redneck / Love Hard / Discover / Fall In Love / Falling Down / Down To The Sea / In The Darkness / Eh Mamma / Careful What You Say
Details
Release Name: | Bone |
Artist Name: | Tim Booth |
Release Date: | 14th June 2004 |
UK Chart: | - |
Format: | Studio Album |
Label: | Sanctuary Records |
Catalogue: | SANPR268 |
Produced: | Lee Muddy Baker |
Engineered: | Lee Muddy Baker |
Mixed: | Lee Muddy Baker |
Additional Musicians: | Lisa Lindley Jones, Lee Muddy Baker, Kevin Kerrigan, Marjorie Ashenden, David Naylor |
Recorded: | Recorded At – The L.A.B; Mastered At – The Town House |
“This CD was made very casually over 3 years. Most of the songs were recorded on a laptop, in my bedroom overlooking the sea in Brighton. Initially written with KK, later they were produced and re-played by Lee Muddy Baker in a studio he hand built. He plays 90% of the instruments, even did the beautiful sleeve artwork, dammit! After “James” I had no intention of making my own record. Nope, I was gonna make music for others to sing. Let them interface with the “Music Business ” while I would just do the fun creative part. Don’t know what happened, think it was Baker’s fault; something about a labour of love and the songs being too good to waste. Yeah, I know the record’s brilliant but now we have the task of outing it and that is never an easy thing to do at the best of musical times. So here are some songs from the heart, hope you enjoy.” – Tim Booth, amazon.co.uk, June 2004
Article | Type | Publication | Year |
Press Release: Tim Booth releases new solo album "Bone" | Press Release | Sanctuary Records | 2004 |
Tim Booth "I'm Still Standing" - The Independent | Interview | The Independent | 2004 |
Interview with Tim Booth -Sunday Mail | Interview | Sunday Mail (Scotland) | 2004 |
Interview with Tim Booth - Metro | Interview | Metro | 2004 |
From James frontman to serial killer -Gaesteliste.de | Interview | Gaesteliste.de | 2004 |
TIM BOOTH: Profound superficiality - Westzeit.de | Interview | westzeit.de | 2004 |
Interview with Tim Booth -Daily Record | Interview | Daily Record | 2004 |
From A Happy Accident Comes Beauty - Virtual Brighton | Feature | Virtual Brighton | 2004 |
Release | Artist | Format | Year |
Down To The Sea | Tim Booth | Studio Single | 2004 |
Wave Hello | Tim Booth | Studio Single | 2004 |
Bone (Promo) | Tim Booth | Promo Album | 2004 |
Bone (Promo, Japan) | Tim Booth | Promo Album | 2004 |
7 Tracks Promo for Bone | Tim Booth | Promo Album | 2004 |
Tim Booth (5 Track Demo) | Tim Booth | Promo Single | 2001 |
Wave Hello (Radio Edit) | Tim Booth | Promo Single | 2004 |
Release | Artist | Format | Year |
Wave Hello | Tim Booth | Song | 2004 |
Bone | Tim Booth | Song | 2004 |
Monkey God | Tim Booth | Song | 2004 |
Redneck | Tim Booth | Song | 2004 |
Love Hard | Tim Booth | Song | 2004 |
Discover | Tim Booth | Song | 2004 |
Fall In Love (With Me) | Tim Booth and Angelo Badalamenti | Song | 2016 |
Falling Down. | Tim Booth | Song | 2004 |
Down To The Sea | Tim Booth | Song | 2004 |
In The Darkness | Tim Booth | Song | 2004 |
Eh Mamma | Tim Booth | Song | 2004 |
Careful What You Say | Tim Booth | Song | 2004 |
Release | Artist | Format | Year |
Down To The Sea (Tim Booth) | Tim Booth | Video Single | 2004 |
Not available on Spotify
- Chicago Martyrs – 9th February 2005
- Thessaloniki Principal – 13th November 2004
- Athens Gagarin 204 – 12th November 2004
- London ICA – 11th November 2004
- Manchester Royal Northern College Of Music – 9th November 2004
- Leeds City Varieties – 8th November 2004
- Glasgow Cottier Theatre – 7th November 2004
- Barcelona Razzmatazz 3 – 5th November 2004
- Madrid Moby Dick – 4th November 2004
- Porto Hard Club – 3rd November 2004
- Lisbon Aula Magna – 2nd November 2004
- Stafford V Festival – 22nd August 2004
- Chelmsford V Festival – 21st August 2004
- Sudoeste Festival, Portugal – 8th August 2004
- Benicassim Festival, Spain – 5th August 2004
- Brighton Concorde 2 – 19th July 2004
- Norwich Waterfront – 18th July 2004
- Guildford Festival – 17th July 2004
- Birmingham Academy 2 – 16th July 2004
- London Piccadilly St James’ Church – 14th July 2004
- Oxford Zodiac – 13th July 2004
- Bristol Fleece N Firkin – 12th July 2004
- T In The Park King Tut’s Wah Wah Tent – 11th July 2004
- Manchester Old Trafford Cricket Ground Move Festival – 10th July 2004
- AV Festival, Malaga, Spain – 1st July 2004
- Glastonbury Festival – 26th June 2004
- Bedford Esquires – 23rd June 2004
- London Water Rats – 21st April 2004
- Cardiff The Engine – 20th April 2004
- Liverpool Academy 3 – 19th April 2004
- Portsmouth Wedgewood Rooms – 18th April 2004
- Brighton Sussex Arts Club – 6th March 2004
- Brighton Sussex Arts Club – 25th February 2004
Press Release: Tim Booth releases new solo album “Bone”
The things Tim Booth’s been up to since you last looked. There’s the acting award, the screenplay writing, the DJing. But more, much more than these, he ultimately couldn’t resist getting back to his own music. Just don’t call it a solo record. We tried that once, and he chased us out of town brandishing a stick of Brighton rock.
Alright, we embroidered a bit, but now that you’re reading, ‘Bone’ is the happy accident that happened when the man-about-the-Sussex seaside got together with some friends, barely aware of their creative scope or his own subconscious hunger to make music again. “I’m not in control of this, it was a complete accident,” he says with enthusiasm and genuine surprise. “It’s not a solo record, it’s a collaboration.”
Booth is back three years after his departure from James prompted the end of one of the longest adventures in modern band history, a tale of wilful obscurity, indie heroics, mainstream adulation and the occasional sparkly dress. ‘Bone’, his debut for Monkeygod Records / Sanctuary Records, arrives at its own unhurried speed and to the considerable surprise of Tim himself.
“I thought what was going to happen was acting or writing,” he says. “I wanted to give myself time to write a lot, which I did, and had a great time. I had a film script that got optioned, and I do acting training once a week, because I love it, I love the fear. A few years ago I won an award for best newcomer to the stage, for a play I did in Manchester [Edward Bond’s production of ‘Saved’] and loved it. Scared the fuck out of me, but I loved it.
“So I’d been running three things at once and not panicking, really very happy, having a great time with family and friends. This one bit first. So I’ve not had a sense of waiting for something.”
That feeling of spontaneity is all over ‘Bone’, produced chiefly in a Brighton bedroom by Lee “Muddy” Baker and featuring several song-writing collaborations with Kevin ‘KK’ Kerrigan. “We wrote ‘Down To The Sea’ together and a few others. I knew they were great songs, but we couldn’t finish them,” says Booth. “Lee came along and gave it a sexiness. He comes up with the most amazing bass lines.
“We’ve got a lot of grooves on the record, and James didn’t have grooves. James were hard to dance to.” Ah yes, but people did. “They did. I did. I DJ and I use masses of music that’s going to get people dancing, and that got me into groove. I love not necessarily straightforward dance music, but music that makes you start to move your hips. I said to Lee, I love these songs but I also want people to feel a little infectious movement from them, and he came up with all these great drums and bass lines. So that’s a huge difference.”
That “accidental” line about this record is no spin. “I met all of the band last year, they all make their own records and do other things. Lisa Lindley-Jones (a.k.a. “XAN”) was going out with a friend of mine, and she sings like an angel. Milo (Michael McCabe) is a stand-up comedian. I met Lee in a cafe, I heard him talking about music.
“My idea at the time was I didn’t want to sing the songs and I didn’t want to tour, so we were going to find some band and get them to do it. Then when I met Lee, he said he’d love to produce it and play every instrument.”
“Muddy” Baker not only gets the producer credit, but the one for reintroducing Tim to the idea of being an active participant again. The friendship was already locked in by the time the working connection was starting to grow. “We have a fantastic piss-taking relationship,” says Booth. “You can see it on stage, you can’t insult people that openly unless you’re good friends. I had no intention of playing live again, but he rekindled my desire to sing them and take the songs out and tour.”
So, courtesy of Booth, here’s a 60-second tour through ‘Bone’. “I think with a song like ‘Down To The Sea’, you can see it comes from James,” he says. “I see it coming from ‘Sometimes’, that sort of area. Then there’s a lot on the record that don’t sound anything like James. ‘Hard Love’ is obviously about addiction and love, which is a theme I love.
“What happens is, the launch place for the lyrics probably has a strong connection to me, then I’ll start to exaggerate, and by the end of it it’s not really me at all. Like ‘Wave Hello’ is really a love song about the fear of long-term commitment. By the time I’ve got to the line ‘things never turn out my way’, it’s not me anymore, because I’m a lucky fucker. But I don’t care, I’m following a line through.”
The album also contains a new version of “Fall In Love With Me” the glorious ballad co-written for the cult album of Tim’s career: ‘Booth And The Bad Angel’, his 1996 collaboration with classically- trained American maestro Angelo Badalamenti. “I just love that song. When Angelo and I wrote that, we were just dancing around the room, we thought we’d written the song that would break all the walls down. I felt it never got heard properly, and I just thought, ‘I want you to hear this’, because I know it’s one of the best songs I’ve ever written, and it’s a really different version.”
There are also a few songs on ‘Bone’ that address the nature of celebrity. “’Redneck’ was sparked by some friends of mine who are now very famous. I’d rung them a few times and nobody had returned my call for months, then the girl rang back and was so apologetic. Over-apologetic. I thought, they’re scared in case I think they didn’t ring back because they’re so famous.’ By the time I get to the chorus, it’s about the disposability of fame, that we’re just ice cream. One day people want vanilla, the next day they want chocolate. Everybody in it thinks we’re so important.”
It’s something Booth got to view with a rare perspective, because it happened to him and to James such a long way into their journey from Manchester indie hopefuls of 1982. Booth was there through the whole slow burn to the roaring flame of the early 1990s and onwards until 2001. “I had a great time in James and they’re still friends,” he says. “Full respect.” This is the band, remember, that turned down an NME front cover in its early years. “The Fall and New Order had been a big influence in ethics,” he says. “We didn’t want to do it. After a year, we took it and we started playing the game.
“Doors open for you, you get to hang out with people you’re really interested in. I can’t knock it. I take a superior stance in some ways, but then I take the piss out of myself when I do. Having sycophantic people around doesn’t interest me. I don’t surround myself with people who know James.”
The album title? “ ‘Bone’, it’s a good word, isn’t it? It’s something that just works, and it’s something about being stripped to the bone, I think.”
As Booth and the band will be proving soon on the live dates that even he didn’t expect to be planning, ‘Bone’ contains plenty of shadowy concepts and surprising angles, but it’s the album of someone who wouldn’t be hurried. “There’s some dark lyrics on there,” says Tim, “but ultimately, I’m an optimist. I like my happy endings.”
Very Nice And Not So Dim Tim – What DVD
June 2002, by Jonathan Morris, © What DVD Magazine
We sit down with James frontman Tim Booth, who tells us their live DVD was not a project born of frustration…
James former lead singer Tim Booth had not been idle in the months since the band’s final concerts. He’s completed a third draft of his screenplay, he’s written an album worth of songs and he’s been pursuing acting roles. He’s been taking people off to the Canary Islands, for “mad shamanic” dance workshops in the mornings and trips to see dolphins and whales in the afternoon. And he’s also been working away on the new James DVD Getting Away With It Live.
“I had a problem,” admits the now shaven-headed singer. “Before we’d edited it, the only music DVD I’d bought was of a Bruce Springsteen gig and it was phenomenal. It haunted me. It was all long, held close-ups and our footage didn’t have that – it was all ‘Pow! Pow!’. So we had an intense four 14-hour days re-editing it, as I wanted more held shots, but there weren’t many to choose from.”
However, Tim is unreserved in his enthusiasm for the result of their labours in the edit suite. “I believe that James were one of the great live bands. Sometimes our records suffered in peoples’ opinion because they were being compared against the live versions, which is an impossible comparison because hearing a song on record is always going to seem flatter, it’s like a two-dimensional version. With the DVD, you get the full three-dimensional version.
“In the last five years, it’s been hard for James to get out of a certain ghetto, and so a lot of new audiences hadn’t come to see us play live,” he adds. “So I think this DVD is probably the best way to experience James, to get the power of the songs live. And to see what you missed.”
The concert was obviously emotionally charged, for both the audience and the band – and for Booth in particular.
“We felt that nothing could go wrong,” he says. “For me, performing is about trying to get as high as possible on your music, on generating, well, love, and taking that to the audience, then feeding their reaction back into the music. It’s like an energy loop; the energy from the audience boosts us, so we can go higher on the next song.”
“That’s what you’re witnessing on the DVD. The whole thing escalates as it goes along – a lot of the audience has been with us for ten, maybe 12, some of them nearer 18 years – and they were there to say goodbye,” he adds.
It’s quite difficult to imagine what it must be like for someone sitting down to watch footage of themselves performing in concert.
“It will be amazing for me,” enthuses Tim, “because it’s something I’ve let go of. I think I’ll watch it with a mixture of sadness and pride and appreciation and love. Then I probably won’t watch it again for two or three years. But in general, I’m proud of everything we did in James, including the b-sides, so I know that I’m going to be really proud of this DVD.”
Is he not even embarrassed by memories of students doing the special sitting-down dance to Sit Down? “Not at all. Not in the least.”
How Was It For You – City Life
December 2001, by PJ Anderson, © City Life
AS JAMES PREPARE FOR THE LAST EVER HOMETOWN GIG WITH LEAD SINGER TIM BOOTH, PJ ANDERSON TALKS TO THE FRONTMAN ABOUT 20 YEARS OF JAMES, THE PROBLEMS WITH CELEBRITY CULTURE, AND WHAT TIME DOES NEXT,
It’s not unusual for James to come home. It’s even the title for one of their biggest hits from the height of Madchester. But this Christmas, their almost annual date at the M.E.N. Arena will feel different. Because it’s their last. At least their last with Tim Booth and there’s not many who can imagine James without Tim Booth.
Frontman of James since they formed in Manchester in 1982, Tim released a statement last month saying he had decided to leave the band ‘after much deliberation’ having realised it was the ‘right time’ and he was leaving ‘on a high’.
James originally signed to Factory Records in 1983 and following their debut ‘Jimone EP’, their second release ‘Hymn from a Village’ topped the indie chart early in ’85. They then moved to US label Sire and released their debut album Stutter in ’86, including the live favourite ‘Johnny Yen’. But the more to Sire proved a mistake, the second album Strip-mine was delayed and the relationship between band and label soured. The band released a live album One Man Clapping on their own label in early ’89 before signing to Fontana. Their first album for the new label, Goldmother, shot the band to a new level of fame, spawning hits like ‘Come Home’, ‘How Was It For You?’ and their biggest hit in a re-release (and it has to be said, a watered down version) of their 1989 single ‘Sit Down’. This party-time classic eventually reached number 2 in March ’91, held off the top spot by Chesney Hawkes.
Subsequent albums, the trumpet heavy Seven, the Brian end Laid (arguably their best) and Whiplash, saw the band reach lofty heights and super stadium stardom. All of them went top ten with singles bouncing around the top 40, before a Best of compilation and Millionaires raised their profile once more. The band settled into a routine of short arena tours each December, coupled with a couple of festival dates, and released their last album Pleased to Meet You, in July this year.
So Tim, why quit now?
“Because it felt the right time. I honestly feel as if we’ve just made our memorable album ever. And Brian Eno says it’s the best album he’s ever worked on…”
Did you get that in writing?
“He said it in a Japanese magazine…”
Tim claims that he nearly left four years ago, and even alluded to the fact in a song. It’s true that James have never had it particularly easy. Some of their financial disasters were legendary, even at the height of their stardom. But when I put it to Tim that he actually enjoyed being a rockstar – he sidetracks slightly with his response; “In 1989, after reading Colin Wilson – who I no longer like incidentally – he said that the only regret he ever had was not taking full advantage of all the sexual opportunities offered to him. And I thought – why wasn’t I doing the same? And so for three or four years that’s exactly what I did…”
What I was alluding to was that James, and Tim especially, seemed to revel rather than repel the limelight and rock’n’roll superstar status – behaviour that seemed to equally repel and attract potential fans, making James more likely to inspire a passionate ‘love em or hate ‘em’ response than most other Manchester bands.
“Rockstar is a dirty word where I come from, so it’s difficult,” is Tim’s explanation of his sensitivity with regard to the whole subject. But there were, undoubtedly, moments when Tim would bask in the adoration. This he does concede; “When I’m looking at the audience,” he breathes, “I’m just in… ecstasy at some points. It’s because what happens is, you play your songs to people and their appreciation and enthusiasm lifts you to another level. The audience is like your battery. It can look like a rockstar thing, but when you become one with them, it’s a state of bliss.”
No-one can deny that James’ gigs almost seem like rallies, even worship. “For me that’s a mistake that an audience can make; in associating that feeling with that individual or with the band. That’s the problem with idolisation in pop music, or in celebrity. You know – we live in a culture where celebrity is probably the highest aim of the culture, and it’s got worse and worse over the last 20 years. Actually, it doesn’t matter how cheap what you’re peddling is, if you’re famous, you have an immense currency in this culture. It’s bullshit.”
And Tim’s keen to remind us that the audience was far from one homogenous mass: “I wouldn’t have the same judgement because I used to love the fact that hard men could come and watch this skinny guy who, in their world, probably looked like a faggot, singing pretty sensitive songs about self-doubt and self-condemnation and they would sing along with the lyrics. I am not an obvious candidate for them to accept in their world.
Tim as known for his infamous electrocuted-whole-body-wave dancing, not that he’s the first to feel Shamanic on stage. Now he’s even teaching ‘Creativity’ at Manchester Met, a system where dance and meditation lead to a trance state. It’s a reminder of Tim’s intense creative mind, which some might say borders on genius, and others, self-destructive extremes, “I wrote ‘Johnny Yen’, as part of me had swallowed the myth,” he agrees in part. “Some of me still can be a sucker for that myth.”
“I was convinced I’d go mad before I got to 30,” he continues. “I was convinced of it. When I got to 30, and realised I hadn’t, I was very surprised. I had some very strange psychotic states, but now I know how to ride them.”
So how scared are you of riding this one out? “I was scared about telling the guys,” he concedes. “But I was more scared about what the hell I was going to do; I had nothing to jump into – no other safety net. It was really… Oh my God!’”
Many would assume that the world is Tim’s proverbial oyster after the success James have enjoyed, but the order for the Lear jet hasn’t been processed just yet. “It’s easy,” he says, “for people to look at the history of James and say we should have been as big as U2… as if we somehow failed. I don’t see it like that. We’ve had a 20-year-career. We’ve made not one album I’m not proud of.”
So then, is Mr. Booth looking back fondly, or in anger?
“Some bands get one or two good albums, and then they burn out with drugs or alcohol,” he finishes. “… or too much money. I don’t think we’ve done that and nor do I live in some projected bliss bubble – that’s how I see it.”
Home James – Manchester Evening News
December 2001, by Robert Meakin, © Manchester Evening News
Frontman bows out recalling his days as a “nerdy wimp”
As singer Tim Booth prepares for a final appearance with his bandmates in Manchester, the James frontman has been recalling his rather less glamorous debut in the group’s home city.
Booth, due to quit the Manchester band after almost 20 years at the end of their current UK tour, performs an emotional swansong in front of thousands at the Manchester Evening News Arena tonight, before pursuing solo material, writing and acting projects.
And the setting is certainly a far cry from the more humble Princess Street venue where he first cut his teeth with the group in 1982 as their new vocalist.
He tells me : “My first gig with James in Manchester was at the Cyprus Tavern to a load of hardcore James fans who didn’t know what to make of this nerdy wimp who’d become their new singer. It was very intimidating!”
The star admits tonight will prove to be a poignant occasion, adding: “It’s highly emotional. It’s really hard not to start crying actually. But at the same time it feels really good, it should be a celebration. Manchester has been our base.”
Nostalgia has been rife in recent days, with the group filming around their home city for a forthcoming DVD release, which will include footage from tonight’s show.
Booth will also be embarking on a rather different tour from next year when he travels around the UK, fronting “creativity workshops” with a system of dance and meditation designed to encourage a flow of ideas.
Compuserve Chat With Tim
Carl: Welcome to our on-line chat with Tim Booth from James. This conference is moderated, which means that you can’t join in with the chat. However you can ask Tim questions at any time during the event.
To ask a question look towards the top of the chat window, then click the ‘ASK QUESTION’ button, type in your question and click ASK; your question will then be entered into the queue.
Welcome, Tim, to CompuServe’s Music Forum.
We have got lots of questions from the members today.
I’ll kick off by asking: are you an Internet fan?
Tim Booth: Sounds like ‘are you a football fan?’. Yes, I am as long as it remains fairly free and I’m not referring to the dark side. I mean as long as the corporations don’t strangle it.
Carl: Do you know how the new single, ‘Getting Away With It’, has been doing this week?
Tim Booth: Not as badly as we thought it might, but I don’t want to count my chickens as the big bad fox might come and sweep them away.
Carl: You also have a new album out called ‘Pleased To Meet You’; can you tell us what we can expect?
Tim Booth: No, I haven’t heard it yet!
Fishknives Girl: Tim, is it true you started off in the band as the dancer? Can you please teach me how to dance?
Tim Booth: Yes I can in virtual time. I actually teach classes of ecstatic dance in Brighton and around the country. Last year we took a group to the Canary Islands with the Dolphin Connection Experience.
Jimmy: What is Alaskan Pipeline about, Tim?
Tim Booth: I think it’s about a boy’s relationship with his mother. It was one of those songs I wrote fairly unconsciously, which for me is always the best way. So I’m never totally sure what the songs are about, because for me it feels like I’m tuning in.
James O’Carroll: How important was Manchester as a city in the formation of James?
Tim Booth: I don’t know what we’d be like if you took away Manchester, but you can see in the string of bands that come from that city that there must be something in the water. We definitely got our bloody-minded arrogance from that place – believing in ourselves to ridiculous heights that you can see is in all of the other Manchester bands.
Derkaryian: Hello from another countryman displaced in the States. Will you be touring the States ’roundabout September 1, so we can put back a couple while watching the big game?
Tim Booth: Not sure… think we may be in the States in September – in Mexico and New York, but nothing is confirmed yet.
Sandstorm: Tim, can you play ‘Scratchcard’ at the Liverpool gig?
Tim Booth: No – ‘Scratchcard’ turned into something else and will probably end up as a B-side. You must have seen it at Christmas when we were road-testing the new songs. Some of them never left the pitstop! ‘Scratchcard’ was one of them.
Kazzy: It’s clear from those present that there is an international mix of people here in UK Music; have you ever recorded in a language other than English and how difficult do you think you would find learning the lyrics?
Tim Booth: Great idea. No, I’ve only muttered a few words in French and Spanish. Once, when we were improvising a song, I put on a fake German accent and pretended I was singing in German because I hadn’t got any lyrics. It worked well in Liverpool.
Guest 23: On tour last year, the current single was called ‘Saving Grace’; why did you change the name?
Tim Booth: Record company pressure – they figured that ‘you lot’ would never buy the single if we called it that. I love ‘Saving Grace’, but it does connect it too strongly to the film of the same name.
Guest 55: Hi Tim, just booked my tickets for the Brighton concert – can’t wait. Just wanted to ask: I was at Exeter concert last year and there were some real ****holes in the crowd – how do you cope when people are like that?
Tim Booth: We’re not playing Brighton, you’ve been ripped off! I tend to like arseholes – they make a concert more interesting. On the Lollapalooza tour, I would walk off stage into the audience to hecklers and sing to them. They would invariably offer me drugs or crack up in front of the cameras projecting the scene onto the screen.
Fishknives Girl: What are you talking about in “Fishknives”?
Tim Booth: Someone else asked me about this rare, obscure B-side already today. Is it you again?! I can hardly remember the lyrics. I think it was about finding out who you are and not just repeating the past that your ancestors relate to, but that sounds like pretentious selective memory.
Matt: Why is James having such trouble releasing material in the US when they are the greatest band around?
Tim Booth: Let’s say that after the ‘Laid’ album did very well in the States a new head of the American company took over, who hated James and that was it really. There’s a longer story but I might get sued!
Hippy Home: What made you opt for Manchester to study drama?
Tim Booth: I’d seen Iggy Pop and Patti Smith play at the Manchester Apollo and they burned a big crater in my soul and made me believe the place to be hip and happening. I chose drama simply because I didn’t know who I was, so learning how to control when you were acting and when you were being real, seemed like a good idea at the time.
Guest 60: Tim, when are James next performing in Wales or nearest please?
Tim Booth: I don’t know – I’d have to get a map and I’m lousy on our own tour dates. I just turn up on the day and sing.
Guest 51: Do you have any plans for any more acting or solo work? Is there anybody that you would particularly like to work with, outside of James?
Tim Booth: I’d love to work with Angelo again and I do have other plans, but plans are best kept secret. Acting, again, something is in the Alaskan Pipeline, but I’m counting chickens again.
Guest 23: I saw you live in the late/mid 80s at Liverpool Poly, supported by the Happy Mondays. Who is the best band you have been supported by, and whom you have supported?
Tim Booth: The band of Holy Joy, Radiohead and the Mondays were probably my favourite three. Neil Young was our favourite support slot across the States, playing in beautiful outdoor arenas overlooking canyons and deserts, accompanied by the sound of crickets and chicadas.
Guest 29: Tim, what music are you listening to at the moment and what type of music do your dance groups dance to?
Tim Booth: Right now I’m listening to the beat of the air conditioning and a projector. I love the new Grandaddy CD, Nick Cave, Travis, Coldplay. To dance to we use very different music, only rarely overlapping my own personal taste, because it’s chosen to help people go into trance states.
Ben: Hi Tim! I’m not James, but i’m ‘Pleased to Meet You’. 🙂 During recent interviews, we have seen you angry at many people in the industry; how confident are you that you will find another record deal after this?
Tim Booth: Heh heh. Pretty confident. I’m no longer so angry as I tend to expect the worst and I’m seldom disappointed.
Laurie: First off that’s the record company’s loss!!! Do you consider yourself a spiritual person?
Tim Booth: Spiritual person? That’s a loaded term. It usually infers some superiority, but I’m interested in spirit (which is another loaded term.) There’s very little language you can use to talk about this that hasn’t been bastardised by somebody’s church.
Guest 53: Hi, Tim. Just wondering, can you play any musical instruments (off-stage, I mean)?
Tim Booth: The kazoo.
Fishknives Girl: Is December a good month for you? Everytime I have seen you live, it’s that month! Oh and do you think you can play ‘Greenpeace’ live more often please?
Tim Booth: We seem to have got into this annual habit of touring in December and it’s working out great – an antidote to winter blues. Don’t think we know how to play Greenpeace anymore. We’ve moved on.
Guest 34: What is ‘Senorita’ about Tim? And do you ever think you will ever have a number 1 single? I think it’s a travesty that you haven’t had one!!
Tim Booth: I doubt whether we’ll ever have a number 1 – we don’t know how to write singles – it’s just a complete fluke. We write thirty songs and then ask somebody to tell us if any of them are singles as we haven’t got a clue. ‘Senorita’ is about a man who sees a woman, who he knows will be very dangerous for him. But he’s instantly shot in the wherewithals and is unable to resist. A common male malay!
Guest 7: Why are you only doing a few gigs this winter? When will you be playing the smaller venues again like Southampton and Poole?
Tim Booth: We like big gigs! They seem, ironically enough, more intimate to us. There are seven of us and we don’t fit on small stages. We play better when we can hear each other with great clarity and therefore on the bigger stages we play better.
Derkaryian: Any plans for Southern California, or shall I plan to travel?
Tim Booth: The Californian festival fell through. Pack a bag!
Guest 33: Tim, any advice for someone that is too shy to dance?
Tim Booth: Put a bag over your head then you won’t know anyone is looking. Just joking! Come to one of my classes, there’s a room full of shy dancers.
Guest 55: Any news on who will be supporting you in this year’s tour? I loved Shea Seger last year.
Tim Booth: Not confirmed yet.
Only :-P): Tim, this is your number one Belfast fan – who would you be pleased to meet?
Tim Booth: Nelson Mandela, Muhammed Ali, James Joyce, but he’s dead.
Guest 51: Do you read much? What type of literature do you enjoy? Who are your favourite authors?
Tim Booth: Doris Lessing is probably one of my favourites. I wrote ‘Sit Down’ as a thank you to her and Patti Smith. I also enjoy Robert Anton Wilson. Janet Fitch has written a fabulous book called White Oleander – too many to mention.
Guest 53: Do you remember the ‘So Many Ways’ video? You looked so happy and carefree, falling over repeatedly. Anyway, why was the new single released alongside the new Hear’Say single? Surely that’s a bit stupid.
Tim Booth: I don’t feel we’re in competition. We exist in completely separate realms and ne’er the twain shall meet.
Guest 50: Are you planning to release any live video material over the coming months? The ‘Come Home’ Video is fantastic… pure class.
Tim Booth: Thank you. That was one of the highlights of our musical life getting a great magical live concert on video. I would love to do another one.
Guest 23: Have you ever written songs for other people/bands? If so, how well did they do?
Tim Booth: As in a race, did they come first or second? I haven’t really. I’ve done a few incognito, which have to remain so for legal reasons, i.e. they may have come out on other record labels that I’m not allowed to write for! And they were very fine, thank you very much.
Carl: Unfortunately that is all we have time for tonight. Thanks, Tim, for coming in and thanks to all the Members and guests for joining us. Tim would you like to say anything to the room?
Tim Booth: We must meet like this more often. You’re much more attractive in virtual space than you are in reality. Much love, Tim
Guest 18: Wow!
Guest 35: That was so much fun!!
Guest 62: Booth & the fellas neeeeeeeeeeeed to come to the US, Boston needs James!
Melody Maker – Tim Booth Straight Down The Line
Tim Booth calls to tell us about Brian Eno, paranoia and why Bowie is crap
WHAT ARE YOU UP TO AT THE MOMENT?
“We’re recording in a studio in Surrey called The House In The Woods – foxes and their cubs come up to it every night to get food! We’ve hit the best patch of our relationship and communication, getting on as musicians, that we’ve ever had. We had Brian Eno in last week and it was intensive – 12 hour days with half-hour lunches. The concentration levels are incredible. He’s the world’s best producer. All the engineers were gobsmacked. We love the challenge of working with him.”
YOU RECENTLY SAID YOU STILL WANT TO CHALLENGE YOUR AUDIENCE – HOW?
“We’re going on this tour we booked ages ago – it’s a brave tour for us. It’s a small tour and it’s not going to be greatest hits. Finally, it’s like we’re doing a tour that will scare us witless! Cos we’re going to be trying out eight or nine new songs. We haven’t played Sit Down this year at all. We’re not going to shoot ourselves in the foot, but we love the new songs. We’re gonna record them as soon as we come off the tour.”
ARE YOU GOING TO INCLUDE YOUR VERSION OF “CHINA GIRL” IN THE SET?
“We’ve been putting together a greatest b-sides compilation and we stuck it on there. I just used to love that song – I must have seen Iggy Pop play it 15 times. I hate Bowie’s version, I think it’s crap. When you hear Iggy’s version and you know it’s probably about his relationship with heroin, it gives it a completely different bite and edge. It’s easy to improve on Bowie’s, but not on Iggy’s version. It didn’t go down that well though, so I don’t know if we’ll do it again.”
ARE YOU STILL PERTURBED ABOUT THE PRESS YOU GET?
“I think we got paranoid in a certain period. I didn’t realise we had so many front covers – now we’re not seen as new, so we don’t get that attention. We’re probably a bit pissed off about that, because we’re still making great music and that should be the criteria. I don’t read reviews now, I haven’t for four or five years – I don’t have an opinion. People have got that attitude ‘Oh, it’s just James’ which is frustrating.
WHAT’S THE SECRET OF YOUR CONTINUING POPULARITY?
“I think people just get the music – the celebratory nature of our concerts is not something many other bands can pull off. We’re perfectionists – we don’t let the crap go out, and we work hard to make sure the stuff is good and get good people to work with. And sometimes we’re paranoid – you just have to forgive us for that! Musicians get like that – they’re tetchy creatures, sensitive souls. It’s not nice when people don’t like you.
Big Breakfast Interview with Tim Booth and Saul Davies – Channel 4
Details
Snap, Cackle And Pop popped round to James frontman Tim Booth’s house for a bit of chat with him and guitarist Saul Davies.
After coming to prominence as part of the Madchester scene in the late eighties, James outlived their baggy contemporaries and have now put 16 years behind them.
Tim : I don’t know how we’ve kept together this long. The first seven years we made no money and it didn’t matter to us. We were doing things that we loved passionately so we’d carry on doing them and then we had success and it’s almost much harder from then to deal with success and balance all those things out.
And with Sit Down the anthem of 1990, their gigs packed out with a sea of those famous flowery t-shirts, the band decided it was time to try and crack America.
Saul : We just think we had a lot of critical success and it was married to sales, big sales in the early nineties and going off to America, which was a wonderful experience for us, you know we went on tour with Neil Young and did all sorts of amazing things, went to places I never thought I would go to, never mind playing.
Abandoning big stadium gigs in Britain for the smaller crowds of the States gave bands like U2 and Oasis the chance to take the megastardom tag that seemed destined for James.
Tim : You see, I don’t see James as having made any mistakes, I see James as having been James which is having their own path and I don’t see any problem in not being as huge and famous as Oasis. I wouldn’t trade places with Noel or Liam for any amount of money. Because that’s not what it’s about for me.
But with Noel reportedly inspired to form a band after seeing a James soundcheck and Morrissey calling them the “greatest band in the world”, the boys are aware of the influence they’ve had on the music of the last decade.
Tim : It’s great when your peers, when Neil Young takes you on tour or when Noel Gallagher says what he says and Morrissey. You know lots of bands have the signed t-shirts from the Dominion concert and you know really sweet things we get and that’s really gratifying as a musician.
And with their recent Best Of album already platinum, there are more fave James tunes than you might expect.
Saul : I think that’s probably a process that people have bought the album, have listened to it and were vaguely familiar with Sit Down or whatever and suddenly kind of thought “Oh my God, I remember what I was doing when this came out” and it would send some shockwaves through people’s lives as well that process, which is a really good one.
And their new single Runaground looks set to follow the fate of the other 17 singles on the album.
Tim : We didn’t get to ride any of the horses. But we got to sit in the beautiful Irish pubs and see the Irish culture.